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"Democracy's "Lawless Music

The Whitmanian Moment in the U.S. Construction of Representative Literariness

Bibliographic Data

ID7932141
AuthorsGünter Leypoldt (corresponding author)
Year2007
Volume38
Issue2
Pages333-352
Publication date2007-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Literary History (JOURNAL)
Journal identifiersISSN: 0028-6087 • E-ISSN: 1080-661X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/nlh.2007.0032
OpenAlexW2037930565
LanguageEN
Citations received1
References cited17

This essay explores the connection between Walt Whitman and the rhetorical uses of "representative literariness," as part of a "post-Kantian" symbolic repertoire of intellectual self-legitimation. My focus lies on American literary studies, where representative literariness emerges as an important critical concept during the construction of an iconic Walt Whitman, beginning in the 1870s, and culminating in the 1940s, when both Whitman and his "age" were refigured in terms of aesthetic modernism and became central to the idea of an American Renaissance. While the American-Renaissance concept lost its critical appeal during the 1970s, its underlying notion of representative literariness has retained some of its cultural centrality

Aesthetics · Appeal · Art · Literariness · Literature · Political science · Rhetorical question · Scholarship · Language, Metaphor, and Cognition · Law · Philosophy · Poetry Analysis and Criticism · Rhetoric and Communication Studies

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Unique citing works1
Citations per year0,06
Citation span2008 - 2008 (1)
Citation velocityhistorical
Highly citedNo

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