Phonographic Memories
Popular Music and the Contemporary Caribbean Novel, by Njelle W. Hamilton
Bibliographic Data
| ID | 7932589 |
|---|---|
| Authors | Alejandra Bronfman (0000-0002-4118-6329, 1 University at Albany, SUNY Department of Latin American, Caribbean and Latina/o Studies USA New York, corresponding author) |
| Year | 2020 |
| Volume | 94 |
| Issue | 3-4 |
| Pages | 395-396 |
| Publication date | 2020-11-25 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New West Indian Guide / Nieuwe West-Indische Gids (JOURNAL) |
| Journal identifiers | ISSN: 1382-2373 • E-ISSN: 2213-4360 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/22134360-09403007 |
| OpenAlex | W3107744677 |
| Language | EN |
How does one read musical novels?Njelle Hamilton proposes that novels in which music and recording technologies figure prominently offer an opportunity to consider a variety of themes, including memory, nostalgia, belonging
Aesthetics · Art · Literature · Musical · Popular music · Caribbean history, culture, and politics · Computer Science · Diverse Musicological Studies · History · Music History and Culture · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |