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Tracking the Caribbean sound

Three Current Hits

Bibliographic Data

ID7933149
AuthorsKenneth Bilby (corresponding author), Kenneth M Bilby
Year1997
Volume71
Issue1-2
Pages69-77
Publication date1997-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew West Indian Guide / Nieuwe West-Indische Gids (JOURNAL)
Journal identifiersISSN: 1382-2373 • E-ISSN: 2213-4360
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/13822373-90002616
OpenAlexW2066456515
LanguageEN
References cited3

First paragraph]Zouk: World Music in the West lndies. JOCELYNE GuiLBAULT (with GAGE AVERILL, ÉDOUARD BENOIT & GREGORY RABESS). Chicago: University of Chicago Press, 1993. xxv + 279 pp. and compact disk. (Cloth US$ 55.00, Paper US$ 27.75) Calypso Calaloo: Early Carnival Music in Trinidad. DONALD R. HlLL. Gainesville: University Press of Florida, 1993. xvi + 344 pp. and compact disk. (Cloth US$ 49.95, Paper US$ 24.95) Calypso & Society in Pre-Independence Trinidad. GORDON ROHLEHR. Port of Spain: Gordon Rohlehr, 1990. x + 613 pp. (Paper US$ 40.00)In 1983, from my Hstening post in Cayenne, the southernmost extension of the French Caribbean, I reported that "popular musicians in the Lesser Antilles are in the process of breathing life into new musical varieties blending soka, cadence, and reggae" (Bilby 1985:211). Little did I know that what I was describing was the sudden emergence, at that very moment, of an entirely new music in French Guiana's fellow Départements d'Outre-Mer to the north, Martinique and Guadeloupe. Down in Cayenne, which has always had close ties to the French Antilles, there was a feeling in the air that some fresh and invigorating cultural trend was about to burst forth. Even in the Maroon villages of the French Guianese interior, where I relocated in early 1984, the excitement was palpable

Ancient history · Art · Art history · Country · Ethnology · Martinique · Musical · Visual arts · West indies · Caribbean history, culture, and politics · History · Geology · Oceanography

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  • The Trinidad Carnival. Mandate for a National Theatre

    Adelaida Reyes Schramm, Errol Hill•Ethnomusicology•1973

Citation velocityhistorical
Highly citedNo

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