Notes on Love and Photography

April 01 2006 Notes on Love and Photography Eduardo Cadava, Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. Search for other works by this author on: This Site Google Scholar Paola Cortés-Rocca Paola Cortés-Rocca Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. Search for other works by this author on: This Site Google Scholar Author and Article Information Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. Paola Cortés-Rocca Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. He is the author of Words of Light: Theses on the Photography of History and Emerson and the Climates of History, and the co-editor, with Aaron Levy, of Cities Without Citizens and, with Ian Balfour, of a special issue of SAQ entitled And Justice For All?: The Claims of Human Rights. He is currently finishing a collection of essays on the ethics and politics of mourning entitled Of Mourning, and a small book on the relations between music and techniques of reproduction, memorization, and writing entitled Music on Bones. She also teaches Literary Theory at the University of Buenos Aires and has worked as a researcher of the National Council of Science and Technology of Argentina in the field of nineteenth-century Latin-American photography and literature. She is the co-author (with Martín Kohan) of Imágenes de vida, relatos de muerte. Eva Perón: cuerpo y política and has published several articles on the relations among visual technologies, national identity, and politics. She is presently finishing a book-length manuscript on the political and aesthetic consequences of the introduction of photography to Mexico and Argentina from 1840–1910. Online Issn: 1536-013X Print Issn: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (116): 3–34. https://doi.org/10.1162/octo.2006.116.1.3 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Eduardo Cadava, Paola Cortés-Rocca; Notes on Love and Photography. October 2006; (116): 3–34. doi: https://doi.org/10.1162/octo.2006.116.1.3 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsOctober Search Advanced Search This content is only available as a PDF. © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 Article PDF first page preview Close Modal You do not currently have access to this content

Art · Art history · Photography · Sociology · Visual arts · Architecture · History · Latin American and Latino Studies

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