Quelques remarques sur Euripide, homme de théâtre dans Médée
Bibliographic Data
| ID | 7948521 |
|---|---|
| Authors | Lucien Bordaux (corresponding author) |
| Year | 1996 |
| Volume | 45 |
| Issue | 1 |
| Pages | 169-179 |
| Publication date | 1996-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/palla.1996.1405 |
| OpenAlex | W141611159 |
| Language | FR |
| References cited | 1 |
Euripides presents through a few dramatic devices the stages of Medea's victory over her "ennemies". The supplication motif enables us to follow the progress of her revenge, the importance given to the hand evinces its destructive logic. The scenic significance of the door and the treatment of the murder scene, through comparison with that in Agamemnon., already manifest the poet's art in giving a new edge to known dramatic effects and in giving an essential place in his tragedy to the unexpected, the spectacular and the pathetic
Aesthetics · Art · Humanities · Literature · Motif (music · Political science · Tragedy (event · Victory · Classical Antiquity Studies · Historical and Literary Studies · Law · Philosophy
| Highly cited | No |
|---|