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Narrative Theory and the Brief and Wondrous Life of Post-Postmodern Fiction

Bibliographic Data

ID7960178
AuthorsVirginia Pignagnoli (0000-0002-5280-4540, University of Turin, corresponding author)
Year2018
Volume39
Issue1
Pages183-199
Publication date2018-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-4265131
OpenAlexW2789884840
LanguageEN
Citations received1
References cited30

As we enter a new literary period succeeding postmodernism, the models and methods of our theories are called into question vis-à-vis their ability to effectively frame the formal features describing contemporary literary narratives. The article surveys current discussions of contemporary fiction and explores some of its emerging features, such as the shift from an ironic to a sincere mode and the drawing of attention to the materiality of the novel. As the context of the new digital media ecology in which the post-postmodern novel appears becomes more and more interrelated with its emerging features, the present essay argues that to better define this interrelation we can rely on the rhetorical approach to narrative and, in particular, on James Phelan’s (2011 James Phelan’s (2014) model of narrative communication. On the other hand, for this model to provide a fruitful analytic tool, we need to consider digital epitexts among the resources at an author’s disposal to generate certain responses in readers. The article concludes with some considerations on the synergetic use of textual and digital resources to show how the rhetorical choice not to use a certain resource sometimes can be more revealing than using one

Aesthetics · Archaeology · Art · Epistemology · Literature · Narrative · Postmodernism · Rhetorical question · Sociology · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · History · Narrative Theory and Analysis · Philosophy

  • Genre ambiguity and (ephemeral) digital epitexts

    Open Access•Virginia Pignagnoli•Neohelicon•2021

  • Literature after Postmodernism

    Open Access•Irmtraud Huber•Literature after Postmodernism•2014

  • My Mother Was a Computer

    N Katherine Hayles•My Mother Was a Computer•2005

  • Writing Machines

    N Katherine Hayles, Anne Burdick•Writing Machines•2002

  • Convergence Culture

    H Jenkins, Adolfo Plasencia•Is the universe a hologram?•2017

  • Gérard Genette Paratexts

    Gérard Genette, Richard Macksey et al.•Paratexts•1997

  • Notes on metamodernism

    Open Access•Timotheus Vermeulen, Robin Van Den Akker•Journal of AESTHETICS & CULTURE•2010

  • Real Authors and Real Readers

    Paul Dawson•Journal of Narrative Theory•2012

  • Rhetoric, Ethics, and Narrative Communication

    James Phelan•Soundings An Interdisciplinary…•2011

  • Supplanting the Postmodern

    David Rudrum, Nicholas Stavris•Supplanting the Postmodern•2015

  • Texts and Paratexts in Media

    Georg Stanitzek, Stanitzek et al.•Critical Inquiry•2005

Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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