Sadeness’, Scorpions and single markets
National and transnational trends in European popular music
Bibliographic Data
| ID | 7976299 |
|---|---|
| Authors | Dave Laing (corresponding author) |
| Year | 1992 |
| Volume | 11 |
| Issue | 2 |
| Pages | 127-140 |
| Publication date | 1992-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000004967 |
| OpenAlex | W2136002313 |
| Language | EN |
| Citations received | 22 |
| References cited | 3 |
Among the biggest international hits of 1991 was ‘Sadeness’, a piece of music created in a studio in Spain by Michael Cretu, a German-based, Rumanian-born producer using samples from recordings of Gregorian chants. This followed the chart successes of dance records created in Belgium by Technotronic and Snap, in Italy (Black Box) and Sweden (Dr Alban
Archaeology · Art · Art history · Chart · Dance · Electronic dance music · Geography · German · Studio · Visual arts · Asian Culture and Media Studies · Diverse Musicological Studies · History · Music History and Culture
The Sociology of Music
Caliban
Writing in Reverse
The Narrative Production of “Home,” Community, and Political Identity in Asian American Theater
Arab Noise and Ramadan Nights
The Figure of the X
“Cultural Defense” and Criminological Displacements
Songs Lodged in Some Hearts
Die Fabrikation globaler Vielfalt
The Transnational Making of Representations of Gender, Ethnicity and Culture
Arab Noise and Ramadan Nights
Whose United Future
Notes on Modernity and Postmodernity in Latin American Culture
Alternations
Government regulation in the Australian popular music industry
Global Harmonies and Local Discords
The Global Music Business as an Information Industry
Crosscurrents, crosstalk
Legitimacy and life-styles
Pop and the Nation-State
Kiwi rock
Where the Mystical Meets the Market
| Unique citing works | 22 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 1993 - 2020 (28) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 22 |