Moving Away from the Index
Cinema and the Impression of Reality
Bibliographic Data
| ID | 8043296 |
|---|---|
| Authors | Tom Gunning (corresponding author) |
| Year | 2007 |
| Volume | 18 |
| Issue | 1 |
| Pages | 29-52 |
| Publication date | 2007-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | differences (JOURNAL) |
| Journal identifiers | ISSN: 1040-7391 • E-ISSN: 1527-1986 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/10407391-2006-022 |
| OpenAlex | W1972659151 |
| Language | EN |
| Citations received | 38 |
| References cited | 5 |
tom gunning is Edwin A. and Betty L. Bergman Distinguished Service Professor of the Humanities at the University of Chicago in the Department of Art History and the Committee on Cinema and Media. He is author of two books, D. W. Griffith and the Origins of America Narrative Film (University of Illinois Press, 1991) and The Films of Fritz Lang: Allegories of Vision and Modernity (British Film Institute, 2000), as well as over a hundred articles on early cinema, the avant garde, film genres, and issues in film theory and history. His publications have appeared in a dozen languages. He is currently writing on the theory and history of motion in cinema
Film studies · Film theory · Filmmaking · Motion picture · Cinema and Media Studies
El cine más allá del signo
Screening Nature
Barzakhic Cinema
Real Images Flow
War Neuroses and Arthur Hurst
Entextualizing History through Archives
Sensory Ethnographic Practices in Turkey
Para-animation in Practice and Theory
The Animated Document
Moving Pictures
Science and Documentary
Polyphonic/Pseudo-synchronic
Embodied Visions
Film as Experiment in Animation
Hou Hsiao-hsien’s Departure from Language in His Postmillennial Films
Dancing With AI
The dispatched drone and affective distance in fieldwork
Higher truths and so‐called lies
The situation of the interface
Blackness and the Image of Motility
The Concept of Nostalgia
Bearing Witness in Analog and Digital Witness Films
The Sense of a Land – Two photographic encounters with the Nordic North through Walter Benjamin’s notion of history in now-time
The Lady Vanishes
Ec-statically Queer Images
On Learning to Fly at the Movies
Ethnographic photobomb
Cine y sociedad
Capital social y compromiso cívico
Deserted histories
Correspondences in visual imaging and spatial orientation in dreaming and film viewing
Photography and Semiotics
Visible Yet Transparent
Digital Cinema and Ecstatic Technology
Suppositionality, Virtuality, and Chinese Cinema
The Biopolitics of Recognition
Digital Material
Wars in colour. Critical perspectives on digital colourisation in historical documentaries
| Unique citing works | 38 |
|---|---|
| Citations per year | 2,11 |
| Citation span | 2008 - 2026 (19) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 37 |