Variações sobre o documentário de Vincent Carelli - (Des)fazendo o novelo
Bibliographic Data
| ID | 8043532 |
|---|---|
| Authors | Marcos Aurélio Felipe (0000-0002-5529-0100, Universidade Federal do Rio Grande do Norte, corresponding author), Marcos Felipe |
| Year | 2019 |
| Volume | 25 |
| Pages | 6-46 |
| Publication date | 2019-03-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | DOC online - Revista Digital de Cinema Documentário (JOURNAL) |
| Journal identifiers | ISSN: 1646-477X |
| Publisher | Universidade da Beira Interior (PUBLISHER • PT) |
| DOI | 10.20287/doc.d25.dt01 |
| OpenAlex | W2940487123 |
| Language | PT |
| Citations received | 3 |
| References cited | 1 |
The text analyzes the documentary writing of Vincent Carelli in the context of the indigenous media. The objective is to investigate how the film A festa da moça (1987), with its devices of (trans)figuration and (re)invention of the historical world, resonate in the work of Vincent Carelli and the indigenous filmmakers linked to the Video in the Villages (VNA), problematizing the perception of self, the re-enactment of tradition, the system of imagery reuse, (self) referentiality, narrative deviations, the place of the Other and the indigenous question in Brazil
Archaeology · Art · Context (archaeology) · Geography · Humanities · Indigenous · Literature · Narrative · Sociology · Anthropology · Cultural, Media, and Literary Studies · Indigenous Studies in Latin America · Urban and sociocultural dynamics
| Citations per year | 0.43 |
|---|---|
| Citation span | 2019 - 2024 (6) |
| Highly cited | No |