The Total Work of Art in European Modernism
Bibliographic Data
| ID | 8043831 |
|---|---|
| Authors | David Roberts (0000-0002-5669-5011), David C S Roberts (0000-0001-7040-0155, corresponding author) |
| Year | 2011 |
| Publication date | 2011-10-28 |
| Open Access | No |
| Type | BOOK |
| Venue | The total work of art in European modernism (SOURCE_BOOK) |
| Publisher | Cornell University Press (PUBLISHER) |
| DOI | 10.7591/cornell/9780801450235.001.0001 |
| OpenAlex | W4302573968 |
| Open Library | OL25109242M |
| ISBN | 9780801450235 |
| Language | EN |
| Citations received | 18 |
| References cited | 48 |
This book sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied to the desire to recover and renew the public function of art. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left–right divide between revolution and reaction, the modern and the anti-modern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. This book argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward
Aesthetics · Art · Art history · Autonomy · Contemporary art · Foregrounding · Literature · Modernism · Modernism (music) · Performance art · Political radicalism · Political science · Politics · The arts · Visual arts · Art, Politics, and Modernism · European Political History Analysis · French Historical and Cultural Studies · Law · 19th century · 20th century · Art and society · Art, european · Art, modern · European Arts · Modern Arts · Modernism (Aesthetics) · Modernism (art) · Philosophy
The Cambridge History of Modernism
On or About 1922
Richard Beer‐Hofmann's Die Historie von König David
Postulating the impossible? The ideal of Gesamtkunstwerk in interwar avant-garde periodicals and their manifestos
Architecture and the Novel under the Italian Fascist Regime
Countervisions of Modernity
Tenses of the Present
La destrucción de imágenes como obra de arte total. La Gesamtkunstwerk como agujero negro
David Roberts meets the switchman
Music in Vladan Radovanović's 'Art Synthesis' Works
Synesthesia, transformation and synthesis
Dialectics of Classicism
Agnes Heller
At the interface of art, religion and politics
David Roberts
The everyday as the Soviet Gesamtkunstwerk
From modernism to presentism
Gesamtkunstwerk Transcriptions in the Polish Theatrical Avant-Garde
The New Grove Dictionary of Music and Musicians
Noise
The Antitheatrical Prejudice
The literary absolute
Humperdinck, Engelbert
“Renegade Durkheimianism” and the transgressive left sacred
Group Psychology and the Analysis of the Ego
Les structures anthropologiques de l'imaginaire
Cultural pragmatics
The cultural contradictions of capitalism
Theses on the Philosophy of History
Philosophy of German Idealism
The Spartan Tradition in European Thought
Mass-Producing Traditions
Die wahrheit des mythos
Wagner and Aeschylus. The 'Ring' and the 'Oresteia'
Political Messianism
The presocratic philosophers a critical history with a selection of texts
Discours sur l'ensemble du positivisme
The Great Revolutions and the Civilizations of Modernity
The crowd
Modern Social Imaginaries
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
The Aesthetic State
Social Radicalism and the Arts
Artists in Revolution
Music, Musicians and the Saint-Simonians
Vyacheslav Ivanov
The Cult of Authority. The Political Philosophy of the Saint-Simonians
Fascism and the French Revolution
Hitler and the Power of Aesthetics
Russian Futurism through Its Manifestoes, 1912-1928
Baudelaire contra Wagner
"Reconstructing "Victory over the Sun
Main Currents in Sociological Thought
The philosophical discourse of modernity
The world as will and representation
The birth of fascist ideology
Dialectic Of Romanticism
Munich and Theatrical Modernism
Theater and Revolution
Festivals and the French Revolution
Figures of Romantic Anti-Capitalism
Chaplin Reception in Weimar Germany
The Elementary Forms of Religious Life
Cultural Pragmatics
Secret Languages
| Unique citing works | 18 |
|---|---|
| Citations per year | 1,5 |
| Citation span | 2014 - 2024 (11) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 18 |