Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

When Species Kiss

Some Recent Correspondence Between Animots

Bibliographic Data

ID8044529
AuthorsLynn Turner (Goldsmiths University of London, corresponding author)
Year2010
Volume2
Issue1
Pages60-86
Publication date2010-09-13
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHumanimalia (JOURNAL)
Journal identifiersISSN: 2151-8645 • E-ISSN: 2151-8645
PublisherHumanimalia, Utrecht University (PUBLISHER)
DOI10.52537/humanimalia.10093
OpenAlexW4248895813
LanguageEN
Citations received5
References cited5

This paper considers the figure of the interspecies kiss in works by Donna Haraway, Helene Cixous, and Carolee Schneemann in light of the impact on animal studies by Jacques Derrida. I elaborate key elements of Derrida’s increasingly glossed essay The Animal That Therefore I Am (More to Follow) to show both their commonality with deconstruction more broadly and their conceptual importance in rethinking relations between humans and other animals in particular. These elements are not simply applied to Haraway, Cixous, and Schneemann but are interwoven with and developed by their works. I position the interspecies kiss, indeed the kiss in general, as performative. While performativity has become part of the lexicon of Visual Culture, often appearing simply in adjectival form, its more complex articulation in the work of Derrida is often overlooked. There the term, as part of his subtle displacement of signification, already impacts on what we thought was human property: rather than meaning residing in our organic, present possession, it becomes conditioned by a machinic, reactive repetition, the very quality that Descartes attempted to section off as the impoverished domain of the animal. Bringing organic and machinic into an enmeshed relation inevitably brings Haraway’s figure of the cyborg to mind, while the doing over being quality of the performative resonates with her emphasis on the relating of our encounters

Biology · Computer network · KISS (TNC · Performative utterance · Possession (linguistics · Zoology · Art, Politics, and Modernism · Art, Technology, and Culture · Computer Science · Geographies of human-animal interactions · Insect and Arachnid Ecology and Behavior

  • Holy bonsai wolves

    Open Access•David Redmalm•International Journal of Cultural…•2013

  • Anthropocene feminism and the Weird temporalities of landscape

    Paul March-Russell•Short Fiction in Theory and…•2025

  • Hidden Violence of Postcolonial Africa

    Marcus D Watson, Gilbert Ambaba•Ghana Studies•2015

  • Accustomed to Female Domination”

    Open Access•MAX LONG•Environmental History•2021

  • The flight of the self

    Open Access•Muhammad Amjad Kavesh•The Australian Journal of…•2021

  • The Explicit Body in Performance

    Rodrigo Schneider, Rebecca Schneider•Explicit Body in Performance•2013

  • ‘When Our Lips Speak Together’

    Luce Irigaray•Feminist Theory and the Body•1999

  • The Animal That Therefore I Am (More to Follow)

    Open Access•J Derrida•Sociology of power•2019

  • Jacques Derrida as a Proteus Unbound

    Hélène Cixous, Cixou et al.•Critical Inquiry•2007

  • The Animal That Therefore I Am (More to Follow)

    Jacques Derrida, David Wills•Critical Inquiry•2002

Unique citing works5
Citations per year0,38
Citation span2013 - 2025 (13)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae