Nas matas com pose de reis

A Representação De Bandeirantes E a Tradição Da Retratística Monárquica Européia

Dados Bibliográficos

ID8047483
AutoresPaulo César Garcez Marins (0000-0001-8776-5708, Universidad San Pedro, autor correspondente)
Ano2007
Volume0
Fascículo44
Páginas77-77
Data de publicação2007-02-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoRevista do Instituto de Estudos Brasileiros (JOURNAL)
Identificadores do periódicoISSN: 0020-3874 • E-ISSN: 2316-901X
EditoraUniversidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER)
DOI10.11606/issn.2316-901x.v0i44p77-104
OpenAlexW2086046261
IdiomaEN
Citações recebidas20

This article is dedicated to the study of the adoption and diffusion of a pictorial convention - the royal pose established in the portraits by Hyacinthe Rigaud - seen in paintings and sculptures representing bandeirantes (paulistas' bushmen) that belong to the Museu Paulista. The Museum received these works of art, examples of the so called "historical painting", between 1903 and 1922, together with artifacts devoted to the evocation and celebration of the Paulista past as a guiding principle of the Brazilian History. The paintings and sculptures are understood as part of this interpretation, for they constituted a visual media capable of dignifying and praising characters of the sertanista (bushmen) period, mainly through the form they represented the body, showing both power and solemnity

Aesthetics · Art · Art history · Convention · Evocation · Humanities · Interpretation (philosophy · Literature · Painting · Period (music · Portrait · Sculpture · Social science · Sociology · History of Colonial Brazil · History of Education Research in Brazil · Philosophy · Sociology and Education in Brazil