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Historically Informed” Corpus Studies

Bibliographic Data

ID8064855
AuthorsRobert O Gjerdingen (Northwestern University, corresponding author)
Year2012
Volume31
Issue3
Pages192-204
Publication date2012-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMusic Perception An Interdisciplinary Journal (JOURNAL)
Journal identifiersISSN: 0730-7829 • E-ISSN: 1533-8312
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/mp.2014.31.3.192
OpenAlexW2163493761
LanguageEN
Citations received6
References cited11

Musicians can choose between various “historicist” or “presentist” ways of performing works from the past. Music scholars who study early music sometimes are forced to make similar choices. If one thinks of corpus studies in music as an objective form of counting the “elements of music,” the question of what constitutes an “element” can involve similar historicist/presentist dilemmas. The article examines three historically significant characteristics of European art music—three historicist features—that are not always recognized in presentist corpus studies. For an illustrative example, a comparison is made between how the cadenza doppia in a Bach toccata for organ might be represented in a corpus study as either a two-voice framework or a series of Roman numerals in the tradition of Allen McHose (1947). Because that type of cadence was a commonplace in Bach’s time and in Bach’s compositions, a corpus analysis should be able to detect its multiple occurrences as a core element of the music

Art · Element (criminal law · Epistemology · Historicism · Linguistics · Literature · Presentism · Diverse Musicological Studies · Musicology and Musical Analysis · Phonetics and Phonology Research · Law · Philosophy

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Unique citing works6
Citations per year0,55
Citation span2015 - 2026 (12)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 6

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