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A New Chronology of Venetian Opera and Related Genres, 1660-1760

Bibliographic Data

ID8065462
AuthorsEleanor Selfridge-Field (corresponding author)
Year2007
Publication date2007-10-25
Open AccessNo
TypeBOOK
VenueA New Chronology of Venetian Opera and Related Genres, 1660-1760 (SOURCE_BOOK)
PublisherStanford University Press (PUBLISHER)
DOI10.1515/9781503619975
OpenAlexW4298031954
ISBN9781503619975
LanguageEN
Citations received7

From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies

Archaeology · Art · Chronology · Literature · Opera · Diverse Musicological Studies · Musicology and Musical Analysis · Renaissance and Early Modern Studies · History

  • ‘Per desiderio di farsi onore’

    Open Access•Anne Desler•Musicology Today•2021

  • Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)

    Open Access•Aneta Markuszewska•Musicology Today•2021

  • From ‘insignificant’ bars to significant social relations

    Open Access•Emilia Pelliccia, Sonia Rzepka•Musicology Today•2021

  • Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)

    Open Access•Anna Ryszka-Komarnicka•Musicology Today•2021

  • Gennaro Sacco, słynny Coviello, i jego trzy sztuki

    Open Access•Jolanta Dygul•Pamiętnik Teatralny•2023

  • 'Para que la cante mi señora'. Aristocracia y circulación musical entre Madrid y Lisboa tras la guerra de Sucesión española

    Open Access•Jose Maria Dominguez, Roberto Quirós Rosado•Cuadernos de Historia Moderna•2019

  • Between Acts

    Open Access•Maruša Zupančič•Musicological Annual•2023

Unique citing works7
Citations per year1
Citation span2019 - 2023 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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