A New Chronology of Venetian Opera and Related Genres, 1660-1760
Bibliographic Data
| ID | 8065462 |
|---|---|
| Authors | Eleanor Selfridge-Field (corresponding author) |
| Year | 2007 |
| Publication date | 2007-10-25 |
| Open Access | No |
| Type | BOOK |
| Venue | A New Chronology of Venetian Opera and Related Genres, 1660-1760 (SOURCE_BOOK) |
| Publisher | Stanford University Press (PUBLISHER) |
| DOI | 10.1515/9781503619975 |
| OpenAlex | W4298031954 |
| ISBN | 9781503619975 |
| Language | EN |
| Citations received | 7 |
From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies
Archaeology · Art · Chronology · Literature · Opera · Diverse Musicological Studies · Musicology and Musical Analysis · Renaissance and Early Modern Studies · History
‘Per desiderio di farsi onore’
Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
From ‘insignificant’ bars to significant social relations
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)
Gennaro Sacco, słynny Coviello, i jego trzy sztuki
'Para que la cante mi señora'. Aristocracia y circulación musical entre Madrid y Lisboa tras la guerra de Sucesión española
Between Acts
| Unique citing works | 7 |
|---|---|
| Citations per year | 1 |
| Citation span | 2019 - 2023 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 7 |