Occupational Realism
Bibliographic Data
| ID | 8066963 |
|---|---|
| Authors | Julia Bryan-Wilson (Julia Bryan-Wilson is Associate Professor of modern and contemporary art in the History of Art Department at the University of California, Berkeley. Her research focuses on art and labor, conceptual art in the Americas, and feminist/queer theory. Her book, Art Workers: Radical Practice in the Vietnam War Era, was published in 2009 by the University of California Press. She is a frequent contributor to Artforum and has written for Art Bulletin, the Journal of Modern Craft, October, and many other..., corresponding author) |
| Year | 2012 |
| Volume | 56 |
| Issue | 4 |
| Pages | 32-48 |
| Publication date | 2012-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00212 |
| OpenAlex | W4233557622 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
Since the 1970s, some artists have self-consciously inhabited their workaday jobs as art; this “occupational realism” invokes questions about the performance of labor and the value of art-making. What does it mean to be (emotionally, physically, mentally) “occupied” by one's work? And what does it mean to “occupy” labor as a strategic artistic operation
Aesthetics · Art · Critical realism (philosophy of perception · Realism · Sociology · Statistics · Value (mathematics · Visual arts · Work (physics · Cultural Industries and Urban Development · Engineering · Geographies of human-animal interactions · Mathematics · Psychology · Public Spaces through Art
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.1 |
| Citation span | 2016 - 2016 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |