(De)Facing the Animals
Zooësis and Performance
Bibliographic Data
| ID | 8067937 |
|---|---|
| Authors | Una Chaudhuri (Una Chaudhuri is Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1995); editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001); and coeditor, with Elinor Fuchs, of Land/Scape/Theater (University of Michigan Press, 2003)., corresponding author) |
| Year | 2007 |
| Volume | 51 |
| Issue | 1 |
| Pages | 8-20 |
| Publication date | 2007-02-22 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram.2007.51.1.8 |
| OpenAlex | W2113817594 |
| Language | EN |
| Citations received | 5 |
| References cited | 11 |
The face-to-face encounter between human and animal, a key trope in the discourse of contemporary Animal Studies as well as of zooësis—the broad field of cultural animal representations—offers a way to chart the effect of the animal presence on traditional performance genres, including tragedy
Aesthetics · Art · Biology · Chart · Environmental ethics · Face (sociological concept · Field (mathematics · Human animal · Key (lock · Literature · Livestock · Social science · Sociology · Tragedy (event · Trope (literature · Environmental Philosophy and Ethics · Geographies of human-animal interactions · Human-Animal Interaction Studies · Ecology · Philosophy
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,36 |
| Citation span | 2012 - 2022 (11) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |