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What can theatre do about the refugee crisis? Enacting commitment and navigating complicity in performative interventions

Bibliographic Data

ID8069749
AuthorsAnika Marschall (0000-0002-4189-1925, University of Glasgow, corresponding author)
Year2018
Volume23
Issue2
Pages148-166
Publication date2018-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in Drama Education The Journal of Applied Theatre and Performance (JOURNAL)
Journal identifiersISSN: 1356-9783 • E-ISSN: 1470-112X
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/13569783.2018.1438180
OpenAlexW2797969936
LanguageEN
Citations received6
References cited29

This article argues that in a society transformed by an increasing bureaucratic nexus of migration, artistic responses to political crises are particularly effective when working with institutions. To probe the prevalent discourse on the efficacy of performance art, the article interrogates Grandhotel Cosmopolis through a lens of institutional aesthetics. Dwelling at the intersection between performance and institutions, this intervention combines refugee accommodation with a tourist hotel and artist studios. Ultimately, the article outlines the role of commitment in the intervention, which stands exemplary for emerging art practices that permeate the boundaries of institutional policy, performance art and social fields

Aesthetics · Art · Bureaucracy · Complicity · Intervention (counseling · Nexus (standard · Performative utterance · Political science · Politics · Refugee · Sociology · Geographies of human-animal interactions · Irish and British Studies · Psychology · Theatre and Performance Studies · Law

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Unique citing works6
Citations per year0,86
Citation span2019 - 2025 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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