Kant on the Imagination and Geometrical Certainty

Bibliographic Data

ID8069941
AuthorsMary Domski (0000-0003-3226-5970, corresponding author)
Year2010
Volume18
Issue4
Pages409-431
Publication date2010-10-20
Open AccessNo
TypeARTICLE
VenuePerspectives on Science (JOURNAL)
Journal identifiersISSN: 1063-6145 • E-ISSN: 1530-9274
PublisherThe MIT Press (PUBLISHER • US)
DOI10.1162/posc_a_00016
OpenAlexW2080597495
LanguageEN
Citations received2
References cited4

In what follows, I aim to develop our understanding of the role the imagination plays in Kant's Critical account of geometry and suggest, in particular, that the peculiar interpretation of the imagination that Kant forwards in the First Critique helps secure the certainty of geometrical knowledge. To make my case, I first consider the account of geometrical reasoning Kant presents in his 1764 Prize Essay, a text in which geometrical certainty is tied to the power that the mind (or understanding) has to perceive the geometrical objects presented before it. I highlight the problems that emerge from this pre-Critical account of geometrical certainty in order to make better sense of why Kant, in 1787, fashions the imagination as he does and specifically, why he dissolves any connection between the imagination's power of perception-what he terms our “degree of sensibility”-and the certainty of geometrical knowledge. In general, as I hope my treatment brings to light, paying attention to the transition in Kant's thinking about geometrical reasoning grants us added perspective on the role the imagination is intended to serve in the Critical account of geometrical cognition

Art · Certainty · Epistemology · Geometry · Interpretation (philosophy · Literature · Perception · Perspective (graphical · Physics · Power (physics · Sensibility · Families in Therapy and Culture · Kantian Philosophy and Modern Interpretations · Mathematics · Philosophical Ethics and Theory · Psychology · Philosophy

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