Distanced suffering
Photographed Suffering and the Construction of White in/Vulnerability
Bibliographic Data
| ID | 8071158 |
|---|---|
| Authors | Anna Szörényi (0000-0002-2092-5970, The University of Adelaide, corresponding author) |
| Year | 2009 |
| Volume | 19 |
| Issue | 2 |
| Pages | 93-109 |
| Publication date | 2009-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social Semiotics (JOURNAL) |
| Journal identifiers | ISSN: 1035-0330 • E-ISSN: 1470-1219 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/10350330902815816 |
| OpenAlex | W2144550661 |
| Language | EN |
| Citations received | 8 |
| References cited | 22 |
There has been much debate about the ethics and effectiveness of the circulation of photographs of suffering. An analysis of commentaries and reviews of such photographs shows that the genre interpellates a particular spectator, for whom the “distance” of suffering is viewed from a comfortable centre. This mode of spectatorship is identifiable as “white” in its claim to unmarked privilege. The photographs threaten to destabilise this unmarked privilege in potentially productive ways, but the reproduction of colonial viewing relations means that whiteness remains centred. The paper concludes by attempting to destabilise the centre by bringing the discussion of the relation between suffering and sovereignty closer to “home
Aesthetics · Archaeology · Art · Colonialism · Computer security · Political science · Privilege (computing · Racism · Relation (database · Sociology · Sovereignty · Vulnerability (computing · White (mutation · White privilege · Anthropological Studies and Insights · Gender Studies · Geographies of human-animal interactions · History · Law · Participatory Visual Research Methods
Troubling representations of Black masculinity in the documentary film Raising Bertie
News values and human values in mediated terrorism
National humanitarianism and the 2004 Indian Ocean tsunami
Notes on How to Irritate a Group of Committed Artists
Stranded at Sea
Calls for educating girls in the Third World
Mediating representations of poverty and development
Distant suffering and digital knowledge politics
Writing Diaspora
The Traffic in Photographs
Photography
Black Skin, White Masks
Sovereign Subjects
Settled and unsettled spaces
Distant Suffering
White Women, Race Matters
The girl in the picture and the eye of her beholder
White
Collateral coverage
Writing history, writing trauma
Regarding the pain of others
White diasporas
A phenomenology of whiteness
Memory Theatres, Virtual Witnessing, and the Trauma-Aesthetic
| Citations per year | 0.67 |
|---|---|
| Citation span | 2014 - 2024 (11) |
| Highly cited | No |