Some master of design
W.B. Yeats and the Free State Coinage
Bibliographic Data
| ID | 8071308 |
|---|---|
| Authors | Jack Quin (0000-0001-6693-6889, corresponding author) |
| Year | 2020 |
| Volume | 15 |
| Issue | 4 |
| Pages | 464-487 |
| Publication date | 2020-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Modernist Cultures (JOURNAL) |
| Journal identifiers | ISSN: 1753-8629 • E-ISSN: 2041-1022 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/mod.2020.0309 |
| OpenAlex | W3109412877 |
| Language | EN |
| Citations received | 1 |
This article examines W.B. Yeats's role in the design of the Irish Free State coinage that was introduced in 1928. From 1926–28, Yeats served as chairman of the committee charged with soliciting and selecting designs for the first Irish coins produced since 1822. The article documents unpublished correspondence from Yeats and archival material that elucidates the deliberations of the coinage committee as well as the poet's wider ideas about the visual and material culture of the new Irish state. The unsuccessful designs by international artists provide insights into the aesthetic debates and intentions behind the coins, connecting Yeats's A Vision (1925) to his account of the deliberations, printed in the government's Coinage of Saorstát Éireann (1928). The final section turns to Yeats's poems about coins where he conceives of the coin as a visual arts medium of portraiture or as a durable talisman, recording and transmitting ancient myths to modern times
Art · Art history · Government (linguistics · Irish · Linguistics · Literature · Mythology · Poetry · Section (typography · State (computer science · The arts · Visual arts · Computer Science · Historical and Religious Studies of Rome · History · Irish and British Studies · Philosophy
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |