Giovanni Battista Della Porta’s Experiments with Musical Instruments
Bibliographic Data
| ID | 8075667 |
|---|---|
| Authors | Rebecca Cype (0000-0001-5683-7780, corresponding author) |
| Year | 2016 |
| Volume | 35 |
| Issue | 3 |
| Pages | 159-175 |
| Publication date | 2016-05-25 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Musicological Research (JOURNAL) |
| Journal identifiers | ISSN: 0141-1896 • E-ISSN: 1547-7304 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/01411896.2016.1180946 |
| OpenAlex | W2405086742 |
| Language | EN |
A section of Giovanni Battista Della Porta's Magia naturalis (1589) celebrates the powers of musical instruments. Most of these powers are rooted in neo-Platonist natural magic: Della Porta explains that the materials of instruments retain their original properties, shaping the body and soul of the listener through their mutual sympathy or antipathy. In a series of three demonstrations presented at the end of this section on music, however, Della Porta uses musical instruments in a different fashion: like telescopes and other scientific instruments of the early modern era, his lyra—likely a lira da braccio, which held pride of place in Italian academies of the sixteenth century—becomes a vehicle for open-ended discovery and the creation of new knowledge
Art · Art history · Musical · Visual arts · Diverse Musicological Studies
| Highly cited | No |
|---|