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Giovanni Battista Della Porta’s Experiments with Musical Instruments

Bibliographic Data

ID8075667
AuthorsRebecca Cype (0000-0001-5683-7780, corresponding author)
Year2016
Volume35
Issue3
Pages159-175
Publication date2016-05-25
Open AccessNo
TypeARTICLE
VenueJournal of Musicological Research (JOURNAL)
Journal identifiersISSN: 0141-1896 • E-ISSN: 1547-7304
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/01411896.2016.1180946
OpenAlexW2405086742
LanguageEN

A section of Giovanni Battista Della Porta's Magia naturalis (1589) celebrates the powers of musical instruments. Most of these powers are rooted in neo-Platonist natural magic: Della Porta explains that the materials of instruments retain their original properties, shaping the body and soul of the listener through their mutual sympathy or antipathy. In a series of three demonstrations presented at the end of this section on music, however, Della Porta uses musical instruments in a different fashion: like telescopes and other scientific instruments of the early modern era, his lyra—likely a lira da braccio, which held pride of place in Italian academies of the sixteenth century—becomes a vehicle for open-ended discovery and the creation of new knowledge

Art · Art history · Musical · Visual arts · Diverse Musicological Studies

Highly citedNo

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