Open-weather

Speculative-feminist propositions for planetary images in an era of climate crisis

Bibliographic Data

ID8076540
AuthorsSasha Engelmann (0000-0003-1827-2525, Royal Holloway University of London, corresponding author), Sophie Dyer, Lizzie Malcolm, Daniel Power (0000-0001-8226-8737), Daniel Powers
Year2022
Volume137
Pages237-247
Publication date2022-09-29
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGeoforum (JOURNAL)
Journal identifiersISSN: 0016-7185 • E-ISSN: 1872-9398
PublisherElsevier BV (PUBLISHER)
DOI10.1016/j.geoforum.2022.09.004
OpenAlexW4298008357
LanguageEN
Citations received21
References cited35

This article explores how speculative feminist practices can contribute to the collection and production of images of a planet in climate crisis. Inspired by feminist geographers and the speculative pragmatism of Didier Debaise and Isabelle Stengers, we suggest how speculative and feminist thinking unsettles the mediated optics of contemporary satellite earth observation. In a speculative feminist framework, earth images may transcend their dominant roles as scientific tools and cultural allegories and become tactical devices for imagining and acting otherwise. To illustrate this, we draw empirically from the work of the feminist artistic project open-weather to make three propositions: first, envisioning a fractal earth; second, writing experience into remotely-sensed images; and third, recording the more-than-meteorological weather. Images and imaginaries of earth are not only co-constitutive of the material conditions and worlds that produce them; in a speculative feminist framework, these images and imaginaries are also accountable to these worlds

Aesthetics · Epistemology · Sociology · Climate Change Communication and Perception · Geographies of human-animal interactions · Historical Geography and Geographical Thought · Philosophy

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Open DOIOpen Access