The Production of Cultural Space in Irish Writing
Bibliographic Data
| ID | 8077878 |
|---|---|
| Authors | Seamus Deane (corresponding author) |
| Year | 1994 |
| Volume | 21 |
| Issue | 3 |
| Pages | 117-117 |
| Publication date | 1994-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | boundary 2 (JOURNAL) |
| Journal identifiers | ISSN: 0190-3659 • E-ISSN: 1527-2141 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/303602 |
| OpenAlex | W2319788311 |
| Language | EN |
| Citations received | 4 |
Since the Act of Union (1800), which, in response to the Rebellion of 1798, incorporated Ireland into the United Kingdom of Great Britain and Ireland, the problem of representing the country became more imperative and more complicated than it had been before. It was not, in itself, a new problem. Since the earlier watershed in Irish history, the settlement of 1690, which established the Anglo-Irish ascendancy and culture, the question of the nature of Ireland's relationship to Britain had been governed by the wish to assert its difference from, and yet compatibility with, the British political and cultural system. Swift and Archbishop King, William Molyneux and Viscount Molesworth, Charles O'Conor and Oliver Goldsmith, Edmund Burke and Wolfe Tone were all participants in the English-language side of this debate.' But once Ireland became constitutionally integrated with Great
Cultural space · Economics · Ethnology · Irish · Linguistics · Production (economics · Sociology · History · Irish and British Studies · Philosophy
| Citations per year | 0.15 |
|---|---|
| Citation span | 1999 - 2008 (10) |
| Highly cited | No |