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Sustaining Australia's Indigenous Music and Dance Traditions

The Role of the National Recording Project for Indigenous Performance in Australia

Bibliographic Data

ID8079480
AuthorsAaron Corn (0000-0002-4797-9776, corresponding author)
Year2013
Volume35
Issue2
Pages268-284
Publication date2013-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMusicology Australia (JOURNAL)
Journal identifiersISSN: 0814-5857 • E-ISSN: 1949-453X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/08145857.2013.844526
OpenAlexW1984240993
LanguageEN
Citations received13
References cited10

This article examines the National Recording Project for Indigenous Performance in Australia as a dedicated network of Indigenous performers, and allied scholars and curators, to protect and sustain Australia's highly endangered traditions of Indigenous music, dance and ceremonies. The paper examines how the National Recording Project has developed into a community of practice for the making and archiving of Indigenous Australian music and dance recordings in response to Indigenous community agency and concerns, and how its annual Symposium on Indigenous Music and Dance has developed into a unique forum for intercultural exchange. Strategies for this initiative's future growth are identified and explored

Agency (philosophy · Art · Dance · Indigenous · Media studies · Social science · Sociology · Visual arts · Cultural Heritage Management and Preservation · Diverse Musicological Studies · Music History and Culture · Ecology

  • Discourse and social interaction

    J Blythe, Ilana Mushin•Oxford Guide to Australian…•2023

  • Noun classes

    Amalia Skilton•Oxford Guide to Australian…•2023

  • Phonotactics

    Erich R Round, Erich Round•Oxford Guide to Australian…•2023

  • Australian languages and interdisciplinary approaches to the past

    Luisa Miceli, Claire Bowern•Oxford Guide to Australian…•2023

  • A Post-mortem of a Pulped Book

    Aaron Corn, M Langton•Musicology Australia•2018

  • An Aboriginal Women’s Song from Arrwek, Central Australia

    Calista Yeoh, Myfany Turpin•Musicology Australia•2018

  • The Aboriginal Artists Agency and the Prominence of Indigenous Music and Dance in the Growth of the Australian Arts Industry

    Aaron Corn•Musicology Australia•2020

  • The Oxford Guide to Australian Languages

    Claire Louise Bowern, Claire Bowern•Oxford Guide to Australian…•2023

  • Say You’re a Nyungarmusicologist

    Clint Bracknell•Musicology Australia•2015

  • The Fringe or the Heart of Things? Aboriginal and Torres Strait Islander Musics in Australian Music Institutions

    Open Access•Clint Bracknell, Linda Barwick•Musicology Australia•2020

  • Indigenous music sustainability during climate change

    Open Access•Klisala Harrison•Current Opinion in Environmental…•2020

  • Sustainability and Indigenous Aesthetics

    Open Access•Klisala Harrison•Yearbook for Traditional Music•2019

  • Keeping Inside the Law

    Open Access•A Kearney, John Bradley et al.•Anthropological Forum•2025

  • Hunter-gatherers today

    Jon C Altman•Hunter-gatherers today•1987

  • Ancestral connections

    Howard Morphy•Ancestral connections•1991

  • From a Distance

    Murray Garde•Perfect Beat•2015

  • Yothu Yindi and Ganma

    Karl Neuenfeldt, Karl W M Neuenfeldt•Journal of Australian Studies•1993

  • Matjabala Mali’ Buku-Ruŋanmaram

    Open Access•Neparrŋa Gumbula, Aaron Corn et al.•Archives and Museum Informatics•2009

  • Burr-Gi Wargugu ngu-Ninya Rrawa

    Aaron Corn, Aaron D S Corn•Musicology Australia•2002

  • Land, song, constitution

    Open Access•Aaron Corn•Popular Music•2010

  • Yothu Yindi's 'Treaty

    Open Access•Jill Stubington, Peter Dunbar-Hall et al.•Popular Music•1994

Unique citing works13
Citations per year1,18
Citation span2015 - 2025 (11)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 13

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