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W.B. Yeats, the Abbey Theatre, Censorship, and the Irish State

Bibliographic Data

ID8079809
AuthorsLauren Arrington (0000-0002-0688-7103, corresponding author)
Year2010
Pages210
Publication date2010-10-14
Open AccessNo
TypeBOOK
VenueWb Yeats The Abbey Theatre Censorship And The Irish State Adding The Halfpence To The Pence (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/acprof:oso/9780199590575.001.0001
OpenAlexW2476399356
Open LibraryOL26120722M
ISBN9780199590575
LanguageEN
Citations received3

This book utilizes new source material and documents that have not previously been analysed with regard to the Abbey Theatre's history in order to reconstruct the political, socio‐religious, and economic forces that exerted pressure on the theatre's programme. These pressures resulted in a complex dynamic: the theatre's directors (including W. B. Yeats and Lady Gregory) publicly defied attempts to censor the Abbey's programme in order to create profitable controversies, while they privately self‐censored plays when they anticipated an opportunity for financial gain. It argues that plays that have not previously been regarded as censored should be recognized as such in light of the political and financial pressures that motivated their suppression. Furthermore, it argues that W. B. Yeats was not an uncompromising champion of artistic freedom, as he is remembered; rather, Yeats was willing to sacrifice the freedom of the artist when he foresaw a chance to ensure the longevity of his theatre

Archaeology · Art · Censorship · Champion · Economics · Irish · Literature · Order (exchange · Political science · Political theatre · Politics · Sacrifice · State (computer science · Computer Science · Finance · History · Irish and British Studies · Law · Philosophy · Theatre and Performance Studies · 1865-1939 · Abbey Theatre · ireland · Theater · Theater and state · Theater, production and direction · Yeats, w. b. (william butler)

  • W. B. Yeats, the Abbey Theatre, and the Cinema, 1909–1939

    Megan Girdwood•Irish Studies Review•2018

  • Lady Gregory's The Gaol Gate , Terence MacSwiney and the Abbey Theatre

    Anna Pilz•Irish Studies Review•2015

  • Weak Theory

    Wai Chee Dimock•Critical Inquiry•2013

Unique citing works3
Citations per year0,23
Citation span2013 - 2018 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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