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Hybrids of Plants and of Ghosts

Bibliographic Data

ID8085964
AuthorsJorie Graham (corresponding author)
Year2011
Pages80
Publication date2011-12-31
Open AccessNo
TypeBOOK
VenueHybrids of Plants and of Ghosts (SOURCE_BOOK)
PublisherPrinceton University Press (PUBLISHER • US)
DOI10.1515/9781400831449
OpenAlexW646982923
ISBN9781400831449
Open LibraryOL29113268M
LanguageEN
Citations received4

How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "Mother's Sewing Box," "For My Father Looking for My Uncle," and "The Chicory Comes Out Late August in Umbria." Finally, the poet's words again: ". . . you get / just what you want" and (just before that), "Just as / from time to time / we need to seize again / the whole language / in search of / better desires."--Marvin Bell

Alphabet · Art · Epistemology · Event (particle physics · Genealogy · Linguistics · Literature · Meaning (existential · Poetry · Possession (linguistics · History · Irish and British Studies · Philosophy · Poetry Analysis and Criticism · Poetry (poetic works by one author)

  • Jorie Graham and American Poetry

    Kirstin Hotelling Zona•Contemporary Literature•2005

  • I Dance to You

    Judith Hamera•Cultural Studies•2001

  • Desire pronounced and/Punctuated

    David Kellogg•American imago•1995

  • Regions of Likeness

    Judith Hamera•Text and Performance Quarterly•2005

Citations per year0.13
Citation span1995 - 2005 (11)
Highly citedNo

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