Studies in the History of Italian Music and Music Theory
Bibliographic Data
| ID | 8089670 |
|---|---|
| Authors | Claude V Palisca (corresponding author) |
| Year | 1994 |
| Pages | 522 |
| Publication date | 1994-03-03 |
| Open Access | No |
| Type | BOOK |
| Venue | Studies in the history of Italian music and music theory (SOURCE_BOOK) |
| Publisher | Oxford University PressOxford (PUBLISHER) |
| DOI | 10.1093/oso/9780198161677.001.0001 |
| OpenAlex | W2090990028 |
| Open Library | OL1431336M |
| ISBN | 9780198161677 |
| GOOGLE_BOOK_ID | 2tt7TEtYHeMC |
| Language | EN |
| Citations received | 12 |
Claude V. Palisca has long been acknowledged as a leading authority on Italian music of the late sixteenth and early seventeenth centuries. These nineteen essays, originally published between 1956 and 1989, draw together a body of significant research into Italian music and music theory, and make readily available papers widely scattered and most now out-of-print. They have further been selected because of their relevance to current research, as evidenced by their continued citation in publications and dissertations. The book is in two parts, providing studies on the History of Italian Music Theory and studies in the History of Italian Music. The thread that runs through the book is the interaction between music theory and practice and between the humanist revial of antiquity and modern ideals of expression in the decades around 1600, a time of transition between the Renaissance and Baroque. A prefatory note — sometimes extensive — accompanies each of the older essays, reviewing recent research on the topic, including the author's and reactions and responses to the original article. Footnote references have been brought up to date. The test is complemented by over a hundred music examples and a number of illustrations
Aesthetics · Art · Art history · History of music · Humanism · Italian Renaissance · Literature · Music education · Music history · Music theory · Musical · Period (music · The Renaissance · Visual arts · Diverse Musicological Studies · Historical Influence and Diplomacy · Musicology and Musical Analysis · History · History and criticism · Italy · Music · Music, history and criticism · Music, italian · Classics · Philosophy
Os objetos da música e da matemática e a subalternação das ciências em alguns tratados de música do século XVI
The Cambridge history of musical performance
The Ancient World
Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli
Bad Latin, Bad Manners
Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century
Two Letters on Music of Giovanni Battista Benedetti to Cipriano de Rore. Part II
Two Letters on Music of Giovanni Battista Benedetti to Cipriano de Rore. Part I
Music before the mind's eyes
The Renaissance Academies between Science and the Humanities
Just Intonation in Renaissance Theory and Practice
Music, antiquity and self-fashioning in the Accademia dei Lincei
| Unique citing works | 12 |
|---|---|
| Citations per year | 0,55 |
| Citation span | 2004 - 2025 (22) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |