Land of hope and glory

Jez Butterworth's tragic landscapes

Datos Bibliográficos

ID8091254
AutoresAnna Harpin (autor de correspondencia)
Año2011
Volumen31
Número1
Páginas61-73
Fecha de publicación2011-02-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaStudies in Theatre and Performance (JOURNAL)
Identificadores de la revistaISSN: 1468-2761 • E-ISSN: 2040-0616
EditorialTaylor & Francis (PUBLISHER • GB)
DOI10.1386/stap.31.1.61_1
OpenAlexW2006950341
IdiomaEN
Citas recibidas13
Referencias citadas11

Steve Waters has suggested that climate change can be understood through the optic of classical tragedy. Building on Waters's interpretative frame, then, this article asserts that British society—a protagonist in the environmental drama—has authored its own downfall through destructive acts that were of our own making, though not necessarily our fault. Moreover, as we repeat, with the alacrity of the doomed, our fatal flaw—the catastrophe, it would seem—has become inevitable. Accepting and developing Waters's assertion, this article will consider notions of tragedy, folklore, nation and environment in relation to Jez Butterworth's 2009 play Jerusalem. The fall of great Johnny ‘Rooster’ Byron in this piece signals a fall of heritage, of nation, of man. It is presumably, therefore, no accident that great Shakespearean Mark Rylance was cast as this play's bleak hero. Furthermore, if, as Adrian Poole has noted, tragedy stages ‘moments of crisis in a community's understanding of itself’, then Jerusalem

Art · Art history · Environmental ethics · Glory · Performance art · Ecocriticism and Environmental Literature · Philosophy