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J. M. Synge and the Pitfalls of National Consciousness

Bibliographic Data

ID8091991
AuthorsPaul Murphy (0000-0002-4702-6238, corresponding author)
Year2003
Volume28
Issue2
Pages125-142
Publication date2003-06-26
Open AccessYes
TypeARTICLE
VenueTheatre Research International (JOURNAL)
Journal identifiersISSN: 0307-8833 • E-ISSN: 1474-0672
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1017/s0307883303001019
OpenAlexW2150343247
LanguageEN
Citations received1

An exploration of the repressed issues of class and gender which inhabit the Irish national unconscious, also seeks to intervene in the essentialism/constructionism debate concerning national identity which has preoccupied post-colonial scholars and Irish studies academics over the last few decades. The argument focuses on Synge's plays and culminates in an examination of his magnum opus The Playboy of the Western World (1907), while analysing Declan Kiberd's appropriation of Frantz Fanon's theories of decolonization in his critique of Synge's play. The objective is not only to trace the Möbius strip of national essence qua cultural construct, but also to analyse the dialectic of desire which energizes cultural and political identification

Aesthetics · Appropriation · Argument (complex analysis · Consciousness · Dialectic · Epistemology · Irish · National identity · Political science · Politics · Psychoanalysis · Sociology · Irish and British Studies · Psychology · Gender Studies · History · Law · Philosophy

  • The Cambridge Companion to J. M. Synge

    Open Access•Patricia Mathews, Oona Frawley et al.•The Cambridge companion to J.M.…•2009

Citations per year0.06
Citation span2009 - 2009 (1)
Highly citedNo

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