J. M. Synge and the Pitfalls of National Consciousness
Bibliographic Data
| ID | 8091991 |
|---|---|
| Authors | Paul Murphy (0000-0002-4702-6238, corresponding author) |
| Year | 2003 |
| Volume | 28 |
| Issue | 2 |
| Pages | 125-142 |
| Publication date | 2003-06-26 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Theatre Research International (JOURNAL) |
| Journal identifiers | ISSN: 0307-8833 • E-ISSN: 1474-0672 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1017/s0307883303001019 |
| OpenAlex | W2150343247 |
| Language | EN |
| Citations received | 1 |
An exploration of the repressed issues of class and gender which inhabit the Irish national unconscious, also seeks to intervene in the essentialism/constructionism debate concerning national identity which has preoccupied post-colonial scholars and Irish studies academics over the last few decades. The argument focuses on Synge's plays and culminates in an examination of his magnum opus The Playboy of the Western World (1907), while analysing Declan Kiberd's appropriation of Frantz Fanon's theories of decolonization in his critique of Synge's play. The objective is not only to trace the Möbius strip of national essence qua cultural construct, but also to analyse the dialectic of desire which energizes cultural and political identification
Aesthetics · Appropriation · Argument (complex analysis · Consciousness · Dialectic · Epistemology · Irish · National identity · Political science · Politics · Psychoanalysis · Sociology · Irish and British Studies · Psychology · Gender Studies · History · Law · Philosophy
| Citations per year | 0.06 |
|---|---|
| Citation span | 2009 - 2009 (1) |
| Highly cited | No |