George Egerton’s Translocational Subjects
Bibliographic Data
| ID | 8092112 |
|---|---|
| Authors | Tina O’Toole (corresponding author) |
| Year | 2014 |
| Volume | 21 |
| Issue | 3 |
| Pages | 827-842 |
| Publication date | 2014-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Modernism/modernity (JOURNAL) |
| Journal identifiers | ISSN: 1071-6068 • E-ISSN: 1080-6601 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mod.2014.0060 |
| OpenAlex | W2160274177 |
| Language | EN |
| Citations received | 6 |
| References cited | 5 |
The name of George Egerton (Mary Chavelita Dunne Bright)\n(1859–1945) became practically synonymous with decadence\nwhen Elkin Mathews and John Lane’s partnership, the Bodley\nHead, published her sexually bold first collection of short stories,\nKeynotes (1893). Yet this Irish writer, whose work reflects her life\non three different continents, is not usually credited with making\ninnovations in migrant fiction
Art · Art history · Decadence · George (robot · Irish · Literature · Narrative · New Woman · Scholarship · Style (visual arts · Irish and British Studies · Postcolonial and Cultural Literary Studies · Travel Writing and Literature · Classics · History · Law · Philosophy
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2018 - 2024 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 6 |