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New perspectives on the Kalahari debate

A Tale of Two ‘Genomes’

Bibliographic Data

ID8092778
AuthorsVictor Grauer (5559 McCandless Avenue, Pittsburgh, PA, USA, corresponding author)
Year2007
Volume2007
Issue2
Pages1-14
Publication date2007-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHunter Gatherer Research (JOURNAL)
Journal identifiersISSN: 1476-4253 • E-ISSN: 2056-3264
PublisherLiverpool University Press (PUBLISHER • GB)
DOI10.3828/bfarm.2007.2.4
OpenAlexW2269330302
LanguageEN
Citations received8
References cited11

While the ‘Great Kalahari Debate’ hinged almost exclusively on the interpretation of sparse and confusing archaeological and historical data, abundant and convincing genetic evidence from the realm of biological anthropology has been largely ignored, while equally compelling cultural evidence drawn from the musical traditions of the populations in question has been overlooked entirely. In this paper, I attempt to demonstrate how genetic and musicological research can be combined to provide a compelling case for the ‘traditionalist’ position in this ongoing controversy. To this end, I draw upon an important but little known musical ‘genome’, the Cantometric database, compiled under the direction of the late Alan Lomax, at the Columbia University Bureau of Applied Social Research

Archaeology · Art · Epistemology · Ethnomusicology · Genetic data · Interpretation (philosophy · Linguistics · Literature · Musical · Population · Realm · Sociology · Anthropology · Archaeology and Rock Art Studies · Diverse Musicological Studies · History · Music History and Culture · Philosophy

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  • Concept, Style, and Structure in the Music of the African Pygmies and Bushmen

    Victor A Grauer, Victor Grauer•Ethnomusicology•2009

  • Alan Lomax's Cantometrics Project

    Open Access•Patrick E Savage•Music & Science•2018

  • Universals in the world's musics

    Open Access•Steven Brown, Joseph Jordania•Psychology of Music•2011

  • Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1

    Open Access•Aleksey Nikolsky•Frontiers in Psychology•2015

  • An Archaeological Contribution to the Kalahari Debate from the Middle Limpopo Valley, Southern Africa

    Open Access•Tim Forssman•Journal of Archaeological Research•2021

  • Music, Meaning and Culture

    Open Access•Richard Widde, Richard Widdess•Empirical Musicology Review•2012

  • Hunters and gatherers past and present

    R K Hitchcock•Reviews in Anthropology•2019

  • Folk song style and culture

    Alan Lomax•Folk song style and culture•1978

  • Paradigmatic History of San-Speaking Peoples and Current Attempts at Revision [and Comments and Replies]

    Edwin Ν Wilmsen, Edwin N Wilmsen et al.•Current Anthropology•1990

  • Foragers, Genuine or Spurious

    Jacqueline S Solway, Jacqueline Solway et al.•Current Anthropology•1990

  • Anthropological and Ethnomusicological Implications of a Comparative Analysis of Bushmen and African Pygmy Music

    Open Access•Charlotte J Frisbie•Ethnology•1971

  • Cantometrics

    David Locke, Alan Lomax•Ethnomusicology•1981

  • Some Song-Style Clusters--A Preliminary Study

    Victor A Grauer, Victor Grauer•Ethnomusicology•1965

  • Song Structure and Social Structure

    Open Access•Alan Lomax•Ethnology•1962

  • Land Filled with Flies

    David Henige, Edwin Ν Wilmsen et al.•Anthropological Quarterly•1994

  • Folk Song Style

    Open Access•Alan Lomax•American Anthropologist•1959

  • Kalahari Archaeology and the Bushman Debate

    Karim Sadr•Current Anthropology•1997

  • Foragers, Genuine or Spurious

    Jacqueline S Solway, Jacqueline Solway et al.•Current Anthropology•1992

Unique citing works8
Citations per year0,47
Citation span2009 - 2021 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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