The Oxford Handbook of the New Cultural History of Music
Bibliographic Data
| ID | 8093440 |
|---|---|
| Editors | Jane F Fulcher (corresponding author) |
| Year | 2011 |
| Pages | 586 |
| Publication date | 2011-08-18 |
| Open Access | No |
| Type | BOOK |
| Venue | The Oxford handbook of the new cultural history of music (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oxfordhb/9780195341867.001.0001 |
| OpenAlex | W2295634417 |
| ISBN | 9780195341867 |
| Open Library | OL24553700M |
| Language | EN |
| Citations received | 19 |
The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. This book demonstrates how music is becoming a unique mode of access into specific cites of cultural representation, exchange, contestation, and the construction of experience
Archaeology · Art · CITES · Cultural heritage · Cultural history · Media studies · Mode (computer interface · Music history · Musical · Musicology · Political science · Politics · Representation (politics · Sociology · Visual arts · Anthropology · Computer Science · Cultural Studies · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Music · Music, philosophy and aesthetics · Philosophy and aesthetics
The Cambridge Companion to Jewish Music
Music and Victorian Liberalism
Opera in Warsaw
Cavernous impossibilities
Was Shostakovich’s Second Cello Concerto a Hidden Homage
Music Deferred
The Xeremies of the Banda Municipal de Barcelona
Music and the Making of Modern Japan
Performing Masculinity in Johann Strauss's 'Die Fledermaus'
Between cosmopolitanism and nationhood
Beyond nations
Western Art Music in Japan
New Age artworks
How political were Verdi's operas? Metaphors of progress in the reception of I Lombardi alla prima crociata
Music before the nation, music after nationalism
Musicalising History
Why delight in screamed vocals? Emotional hardcore and the case against beautifying pain
Common Joys, Sorrows, Adventures, and Struggles”
Beethoven and the Sound of Revolution in Vienna, 1792–1814
| Citations per year | 1.12 |
|---|---|
| Citation span | 2009 - 2025 (17) |
| Highly cited | No |