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Stretching Out

Species Extinction and Planetary Aesthetics in Contemporary Art

Bibliographic Data

ID8093614
AuthorsSusan Ballard (0000-0002-3365-1825, corresponding author)
Year2017
Volume17
Issue1
Pages2-16
Publication date2017-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAustralian and New Zealand Journal of Art (JOURNAL)
Journal identifiersISSN: 1443-4318 • E-ISSN: 2203-1871
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14434318.2017.1333403
OpenAlexW2745868092
LanguageEN
References cited2

There is madness in species extinction.The horn has been removed from the last male northern white rhino on earth and he has two armed guards 24 hours a day.The huia in New Zealand were killed off by the desire for white-tipped tail feathers in Victorian hats.We fear the extinction of rhinos, we mourn the extinction of the huia, yet we might need reminding to also show concern for the extinction of the dung beetle.This paper looks at the ways that artists are engaging with these difficult events.By placing Gayatri Spivak's call for a planetarity of thought in conversation with Donna Haraway's practice of 'making kin,' I argue that art history is a practice of planetary aesthetics.In discussion of recent works by Shannon

Aesthetics · Art · Astrobiology · Biology · Environmental ethics · Epistemology · Extinction (optical mineralogy · Nothing · Geographies of human-animal interactions · Paleontology · Philosophy

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  • Art in the Anthropocene

    Open Access•Heather Davis, Etienne Turpin•Art in the Anthropocene•2015

Citation velocityhistorical
Highly citedNo
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