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Ecohorror Special Cluster

Living in Fear, Living in Dread, Pretty Soon We'll All Be Dead

Bibliographic Data

ID8095100
AuthorsStephen Rust (0000-0003-3836-3619, corresponding author), Stephen A Rust, Carter Soles
Year2014
Volume21
Issue3
Pages509-512
Publication date2014-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueISLE Interdisciplinary Studies in Literature and Environment (JOURNAL)
Journal identifiersISSN: 1076-0962 • E-ISSN: 1759-1090
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/isle/isu085
OpenAlexW2146537576
LanguageEN
Citations received7
References cited2

Horror is a powerful word. It evokes feelings of loathing, repugnance, aversion, dread, and outright terror. Horrific events take place in our world every day, so it is only natural that these events find their way into our collective imagination through literature, cinema, and other forms of art and popular discourse. These days, phrases like global climate change, the sixth extinction, and environmental injustice alert us to the horrific events poised to alter life as we know it on this planet. As literary and film scholars, we find that as we read texts, our sense of horror is amplified by considering the relationship between textual terrors and those in the material world. When one considers the terrors that humanity hath wrought upon the planet, particularly over the past two centuries, it is easy to be scared. As a literary and cinematic form, ecohorror has thus far been narrowly defined in popular discourse as those instances in texts when nature strikes back against humans as punishment for environmental disruption. Scholarship to this point has demonstrated that ecohorror motifs are most often found in “revenge of nature” narratives like Steven Spielberg's iconic film Jaws (1975) but may also occur in less overtly ecocritical works. A more expansive definition of ecohorror, which we would like to elucidate via this special cluster of essays, includes analyses of texts in which humans do horrific things to the natural world, or in which horrific texts and tropes are used to promote ecological awareness, represent ecological crises, or blur

Aesthetics · Art · Ecocriticism · Environmental ethics · Humanity · Injustice · Literature · Movie theater · Narrative · Natural (archaeology · Political science · Scholarship · Sociology · Contemporary Literature and Criticism · Ecocriticism and Environmental Literature · Utopian, Dystopian, and Speculative Fiction · History · Law · Philosophy

  • “Isn’t Self-destruction Coded into Us, Programmed into Each Cell?”

    Open Access•Heidi Kosonen•Journal of Ecohumanism•2023

  • Przez fantastykę do ekokrytyki. Zwrot ku science fiction

    Open Access•Grażyna Gajewska•Przestrzenie Teorii•2021

  • Ecology and Science Fiction. Managing Imagination in the Age of the Anthropocene

    Open Access•Grażyna Gajewska•Przegląd Kulturoznawczy•2021

  • Transcorporeal Identification and Strategic Essentialism in Eco-Horror

    Emma Frances Bloomfield•Environmental Communication•2021

  • Environmental Catastrophe as Morphogenesis

    Open Access•Moritz Ingwersen•Humanities•2019

  • No Man's Land

    Open Access•Jason Wallin, Jason J Wallin et al.•Culture Studies ↔ Critical…•2022

  • Feasting on the land

    Kate Woodward•Moving Image Review & Art Journal…•2023

  • Australian eco-horror and Gaia's revenge

    Catherine Simpson•Studies In Australasian Cinema•2010

Unique citing works7
Citations per year1
Citation span2019 - 2023 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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