Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The musical form in rhetorical exchange

Theoretical considerations

Bibliographic Data

ID8095748
AuthorsJames R Irvine (0000-0002-5314-0109, Colorado State University, corresponding author), Walter G Kirkpatrick (DePauw University)
Year1972
Volume58
Issue3
Pages272-284
Publication date1972-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuarterly Journal of Speech (JOURNAL)
Journal identifiersISSN: 0033-5630 • E-ISSN: 1479-5779
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/00335637209383124
OpenAlexW2046475227
LanguageEN
Citations received25
References cited21

This article is an exploratory analysis of the rhetorical dimensions of music. The first level of analysis deals with those elements inherent in the musical situation which function as rhetorical variables. The second level deals with the development of a series of models which account for the interaction of these variables and the resultant impact on the listener

Art · Function (biology · Linguistics · Literature · Musical · Rhetorical question · Sociology · Diverse Musicological Studies · Musicology and Musical Analysis · Psychology · Social and Educational Sciences · Philosophy

  • The Case of/for Communication (What Does It Mean to Study Popular Music?)

    Open Access•Roberto Avant‐Mier, Roberto Avant-Mier•Journal of Popular Music Studies•2014

  • (In)congruities between Political Messages and Popular Music

    Open Access•Lottie Elizabeth Johnson, Scott Haden Church et al.•Communication Studies•2021

  • Transcendence in Leonard Bernstein's Kaddish symphony

    Karen Rasmussen•Quarterly Journal of Speech•1994

  • Popular music as a mode of communication, 1955–1982

    James W Chesebro, Davis A Foulger et al.•Critical Studies in Mass…•1985

  • Critical response and reply

    Irving J Rein, Irving Rein et al.•Critical Studies in Mass…•1986

  • The good man singing well

    Eric Robert Weisman•Critical Studies in Mass…•1985

  • Free Jazz and black nationalism

    Robert Francesconi•Critical Studies in Mass…•1986

  • Critical response and reply

    James W Chesebro•Critical Studies in Mass…•1986

  • Not Quite Bleeding from the Ears

    Ian E J Hill•Western Journal of Communication•2012

  • Literature as equipment for killing

    Jeff Parker Knight•Text and Performance Quarterly•1990

  • Contesting Hegemonic Masculinity Through Profeminist Passing on The Police’s Outlandos d’Amour

    Stefan Gorißen•Women s Studies in Communication•2021

  • Music as Persuasion

    Deanna D Sellnow•Women s Studies in Communication•1999

  • The impact of music modality on the perception of communication situations in video sequences

    Dominic A Infante, Charles M Berg•Communication Monographs•1979

  • Women in popular music

    Open Access•Virginia W Cooper•Sex Roles•1985

  • On the rhetoric of popular song

    Carl Holmberg, Carl B Holmberg•Popular Music & Society•1984

  • Protest song lyrics as rhetoric

    Elizabeth Kizer, Elizabeth J Kizer•Popular Music & Society•1983

  • Did America view “from a distance” from a distance

    John Limeberry•Popular Music & Society•1992

  • Protest music as political persuasion

    Jeffery J Mondak•Popular Music & Society•1988

  • How long to sing this song?” The rhetorical vision of U2's “Holy” community

    Susan Mackey‐Kallis•Popular Music & Society•1990

  • Ritual Transformation through Michael Jackson's Music Video

    Open Access•Christopher Lynch•Journal of Communication Inquiry•2001

  • God save the_____!” American national songs and national identities, 1760–1798

    Robert James Branham•Quarterly Journal of Speech•1999

  • Rhetorical ascription and the gospel according to Dylan

    Alberto Gonzalez, John J Makay•Quarterly Journal of Speech•1983

  • Virtuosity as rhetoric

    David L Palmer•Quarterly Journal of Speech•1998

  • Watts' dissenting rhetoric of prayer

    G Jack Gravlee, James R Irvine•Quarterly Journal of Speech•1973

  • Against the tyranny of musical form

    Scott Haden Church•Critical Studies in Mass…•2017

  • The Physiological Differentiation between Fear and Anger in Humans

    Albert F Ax•Psychosomatic Medicine•1953

  • Sound and Symbol

    Henry Raynor, Victor Zuckerkandl et al.•The Musical Times•1957

  • Rhetoric

    Donald C Bryant•Quarterly Journal of Speech•1953

  • Songs--Colorful Propaganda of the French Revolution

    Christopher-John Rogers, C B Rogers•Public Opinion Quarterly•1947

  • Comparison of Themes in Folktales by the General Inquirer System

    Benjamin N Colby, George A Collier et al.•Journal of American Folklore•1963

  • Popular Music since the 1920s

    Open Access•H F Mooney, Hugh Mooney•American Quarterly•1968

Unique citing works25
Citations per year0,47
Citation span1973 - 2021 (49)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 25

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae