Soundscapes of Mostar
Space and Art Beyond the Divided City
Bibliographic Data
| ID | 8097558 |
|---|---|
| Authors | Lydia C Cole (0000-0002-2542-3099, University of Sussex), Stefanie Kappler (0000-0003-0782-9949, Durham University, corresponding author) |
| Year | 2022 |
| Volume | 16 |
| Issue | 5 |
| Pages | 641-658 |
| Publication date | 2022-10-19 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Intervention and Statebuilding (JOURNAL) |
| Journal identifiers | ISSN: 1750-2977 • E-ISSN: 1750-2985 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17502977.2022.2128592 |
| OpenAlex | W4306843378 |
| Language | EN |
| Citations received | 14 |
| References cited | 50 |
The ‘spatial turn’ in peace research has primarily highlighted the visuality of the spaces in which peace takes place. In this article, however, we argue that ‘sound’ can challenge rigid visual markers, which are particularly prominent in divided cities. Drawing on a sound story from a larger archive, we investigate how a sound artist re-imagines the divided city of Mostar by mobilizing a set of sonic memories. Our sonic reading of the Partisan’s Cemetery traces the spatial transformation of the city, which disrupts visual representations of space as divided and presents alternative spatial imaginations
Acoustics · Aesthetics · Art · Linguistics · Political science · Reading (process · Regional science · Set (abstract data type · Sociology · Sound (geography · Soundscape · Urban space · Visual arts · Computer Science · Diverse Musicological Studies · History · Law · Military History and Strategy · Peacebuilding and International Security · Philosophy
Resounding resistance
New Visions, Critiques, and Hope in the Post-Liberal Age? A Call for Rethinking Intervention and Statebuilding
Towards Emancipatory Statebuilding in Kosovo? Spatial and Aesthetic Community Building After war
Breaking the Mould
The Home Stay Exhibitions
The Aesthetics of Peace
Space for Peace
Curating a ‘Living Museum’
Introducing Space for Peace
The spatial turn in peace and conflict studies
Wall disease
Harnessing Aesthetic Power
Peace between Peace(s)? Urban Peace and the Coexistence of Antagonists in City Spaces
Sounds of (In)Security
Resounding International Relations
The Divided City and the Grassroots
Nostalgia matters
Cities at War
Movement as Conflict Transformation
Peacebuilding and Spatial Transformation
From the Guest Editor
Urban peacebuilding
A shell of memory
Journeys to the limits of first-hand knowledge
The City as a World in Common
The Spaces of Local Agreements
Making Space for Indigenous Approaches in the Southwest Pacific? The Spatial Politics of Peace Scholarship and Practice
Introducing Space for Peace
Listening in to water routes
Collective culture and urban public space
False stories from the history of Mostar
Challenging the representation of ethnically divided cities
The politics of landscape as ways of life in the ‘divided’ city
What wars and ‘war bodies’ know about international relations
The Limits of the Beyond
Contemporary Art and Unforgetting in Colonial Landscapes
Urban soundscapes
Letting Nature Swallow the Past
Inventing places
The bridge on the Neretva
Geographical Aesthetics
From psychogeography to hanging‐out‐knowing
A Visceral Politics of Sound
Peace between Peace(s)? Urban Peace and the Coexistence of Antagonists in City Spaces
Psychogeography and feminist methodology
Yugonostalgia
To Stand by the Ruins of a Revolutionary City
A Sonic Theory Unsuitable for Human Consumption
The relational spatiality of the postwar condition
A political geography of walking in Jordan
Geographies of memory, place and identity
Urban Interventions
Entangled Memory
Music and the Politics of Sound
Soundscapes of war
Soundscapes
Sound Matters
| Unique citing works | 14 |
|---|---|
| Citations per year | 3,5 |
| Citation span | 2022 - 2026 (5) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 14 |