Material Intimacies and Black Hair Practice

Touch, Texture, Resistance

Bibliographic Data

ID8097570
AuthorsSweta Rajan-Rankin (0000-0002-1722-4655, University of Kent, corresponding author)
Year2021
Volume29
Issue3
Pages152-164
Publication date2021-04-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNORA - Nordic Journal of Feminist and Gender Research (JOURNAL)
Journal identifiersISSN: 0803-8740 • E-ISSN: 1502-394X
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/08038740.2021.1912172
OpenAlexW3192357913
LanguageEN
Citations received8
References cited26

This article explores the socio-materiality of Black hair care practice as an affective surface through which we can understand Black women’s experiences of intimacy and belonging. Texture of hair has often been overlooked in the examination of racialized presentation, even as shade or skin colour has been over-determined. By paying attention to the centrality of touch in negotiating grooming practices in Black hair care, a multi-layered appreciation of the material entanglements in Black intimacies can be explored. Hair is more than part of the body, it is both highly visible, as well as intensely personal and political in terms of the ways it is worn and seen by the observer. Drawing on a sensory ethnography of Afro hair salons in the UK and biographical narrative analysis, this article explores Black women’s relationships with their hair in everyday life, alongside a parallel reading of the classic text “Cassie’s hair” by Susan Bordo. This layering of narratives allows for a new form of listening to emerge, an attunement that forefronts the habitual practices of hair dressing and hair making as ways of “becoming black”. In every twist, braid and weave, these biographies highlight the intimate entanglements by which the ambivalence of black belonging is negotiated. Touch in particular, both nurturing and hostile, represents an important socio-cultural ritual through which collective belonging is experienced: evoking memories of inter-generational and transnational intimacies with black communities in another time and another place. This paper offers a novel way of reimagining the role of affect in understanding collective intimacies and sustaining black identity in diasporic contexts

Aesthetics · Ambivalence · Art · Black hair · Literature · Materiality (auditing · Narrative · Sociology · Visual arts · Diversity and Impact of Dance · Gender Roles and Identity Studies · Gender Studies · History · Posthumanist Ethics and Activism · Psychology · Social Psychology

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