Performing Rights
A Sonography of Women's Suffrage
Bibliographic Data
| ID | 8098275 |
|---|---|
| Authors | Elizabeth Wood (0000-0002-1942-2233, corresponding author) |
| Year | 1995 |
| Volume | 79 |
| Issue | 4 |
| Pages | 606-643 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Musical Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0027-4631 • E-ISSN: 1741-8399 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/mq/79.4.606 |
| OpenAlex | W2084613023 |
| Language | EN |
| Citations received | 10 |
Journal Article Performing Rights: A Sonography of Women's Suffrage Get access Elizabeth Wood Elizabeth Wood Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume 79, Issue 4, Winter 1995, Pages 606–643, https://doi.org/10.1093/mq/79.4.606 Published: 01 December 1995
Art · Literature · Musical · Political science · Politics · Suffrage · Diverse Musicological Studies · Musicians’ Health and Performance · History · Law
Protest music and collective memory in Turkey
When a woman speaks the truth about her body’
(Special Section) The Hymn as Protest Song in England and its Empire, 1819–1919
Genre, Class and Gender in a Suffragist Operetta
Women’s Musical Agency and Experiences in Vernon Lee’s Music and its Lovers
String Quartet as Autoethnography
La Marcha de las Mujeres de la compositora Ethel Smyth. Un himno para el movimiento sufragista
Ladies’ orchestras and music-as-performance in fin-de-siècle Britain
Crossing boundaries? The relationship between the Anglo-American and Austro-German worlds of musicology
Quartet
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,37 |
| Citation span | 1999 - 2026 (28) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |