Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Travelling Songs

On Popular Music Transfer and Translation

Bibliographic Data

ID8100386
AuthorsIsabelle Marc (0000-0001-6060-8550, corresponding author)
Year2015
Volume5
Issue2
Pages3-21
Publication date2015-12-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueIASPM Journal (JOURNAL)
Journal identifiersISSN: 2079-3871 • E-ISSN: 2079-3871
PublisherInternational Association for the Study of Popular Music (PUBLISHER • SE)
DOI10.5429/2079-3871(2015)v5i2.2en
OpenAlexW2197731972
LanguageEN
Citations received5
References cited5

Even though a song is created in a specific national or communitarian context, which determines to various degrees its production and reception processes, once it is recorded, reproduced and disseminated, especially via the global music market, it travels and wanders through time and place, thus becoming a transcultural product. The fruits of these transfers are what I call a "travelling song" and, by extension, "travelling music". In this article, I will argue that travelling songs are dramatically transformed by their new contexts of reception. Focusing on alterity and diversity over sameness and isomorphism, the main objective of this work is to provide a general typology of music transfers that draws on translation and cultural transfer theories. Such musical transfers can be categorized in four ways: a) cultural reception; b) musical reprise; c) translation and adaptation; d) stylistic emulation. Such as distinction will lead the discussion to insights into how music transfers relate to such concepts as fidelity, authorship and creativity within a polycentric dynamic

Adaptation (eye · Aesthetics · Art · Context (archaeology · Fidelity · Linguistics · Literature · Musical · Popular music · Sociology · Computer Science · Diverse Musicological Studies · Music History and Culture · Psychology · Translation Studies and Practices · History · Philosophy

  • Visszatér a múlt

    Open Access•Ádám Ignácz•Replika•2020

  • Le flamenco et son mode de création contemporain

    Open Access•Chloé HOUILLON•Fédérer Langues Altérités…•2025

  • Les voyages de « Despacito ». La circulation des musiques populaires à l’ère du streaming

    Open Access•Isabelle Marc•Revue musicale OICRM•2024

  • De la scène au virtuel. Les redéfinitions du flamenco à travers ses différents supports de production et de diffusion

    Open Access•Chloé Paola Houillon•Revue musicale OICRM•2024

  • Molchat Doma and the Birth of the Influencer

    Open Access•Marco Biasioli•IASPM Journal•2024

  • Global noise

    Tony Mitchell•Global noise•2001

  • Modernity at large

    Arjun Appadurai•Modernity at large•1996

  • Global Pop

    Timothy D Taylor•Global Pop•2014

  • Pop Cosmopolitanism

    H Jenkins•Globalization•2019

Unique citing works5
Citations per year0.83
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae