Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Animal Apparatus

From a Theory of Animal Acting to an Ethics of Animal Acts

Bibliographic Data

ID8102285
AuthorsMichael Peterson (0000-0002-5002-1294, Michael Peterson is Assistant Professor of Theatre and Drama at the University of Wisconsin—Madison, teaching courses in dramatic literature, performance studies, popular performance, and sexual politics. He is the author of Straight White Male (Mississippi University Press, 1997), a critique of identity privilege in monologue performance art. He is currently completing a book-length project on Las Vegas culture.), Michael R Peterson (0000-0002-4524-6819, corresponding author)
Year2007
Volume51
Issue1
Pages33-48
Publication date2007-02-22
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/dram.2007.51.1.33
OpenAlexW2153444436
LanguageEN
Citations received10
References cited4

The methods by which animal performance is made legible to audiences depend upon a historically contingent set of material practices and social relationships among humans and animals: an “animal apparatus” that is distinctly “middle-brow” and implicated in constructions of bourgeois subjectivity. However, the fleshly presence of the animal also routinely causes it to exceed this order of signification, offering a site for an ethics of resistance to anthropogenic ideologies

Aesthetics · Animal ethics · Animal welfare · Biology · Bourgeoisie · Environmental ethics · Epistemology · Ideology · Political science · Politics · Sociology · Subjectivity · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Posthumanist Ethics and Activism · Ecology · Law · Philosophy

  • Against the Image

    Patrick Sheehan, Paul Sheehan•SubStance•2008

  • Animals in Restoration Theatre, 1660–1710

    Riki Miyoshi•Restoration and Eighteenth-Century…•2023

  • Solo ośmiornicy, duet aktorki z koniem

    Open Access•Dorota Semenowicz•Pamiętnik Teatralny•2025

  • Playing with Horses

    Open Access•Kimber Sider•TDR/The Drama Review•2021

  • There Is No Wild”

    Jessica Bell•Society and Animals•2015

  • Is it gonna be fun?”

    Katherine Altizer•Society and Animals•2021

  • Go Panda Go

    Open Access•Tracy Ying Zhang, Chikako Nagayama•Humanimalia•2025

  • Be More Dog

    Julia Włodarczyk, Justyna Włodarczyk•Performance Research•2017

  • Beyond resistance

    Open Access•Christopher Bear, Lewis Holloway•Geoforum•2019

  • BeastEnders

    Open Access•Brett Mills•Critical Studies in Television…•2025

  • Animals and the Concept of Dignity

    Suzanne Laba Cataldi•Ethics & the Environment•2002

  • Rabbits, Machines, and the Ontology of Performance

    Aleksandra Wolska•Theatre Journal•2005

Unique citing works10
Citations per year0,56
Citation span2008 - 2025 (18)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 9
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae