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Perfect Pitch

A Life Story

Bibliographic Data

ID8106322
AuthorsLeonard Burkat (corresponding author), Nicolas Slonimsky
Year1989
Volume7
Issue1
Pages101-101
Publication date1989-01-01
Open AccessNo
TypeARTICLE
VenueAmerican Music (JOURNAL)
Journal identifiersISSN: 0734-4392 • E-ISSN: 1945-2349
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.2307/3052060
OpenAlexW2018769378
LanguageEN
Citations received1

Nicolas Slonimsky, pianist, composer, conductor, author, and lexicographer, was born in St Petersburg, Russia, in 1894. Pronounced a genius by his mother, he seemed destined for a professional career in music, but the 1917 revolution brought an end to his hopes, and his errant life took him south to Kiev, Yalta, Constantinople, and finally Paris, where he was hired as rehearsal pianist by the renowned conductor Serge Koussevitsky. He went to the United States in 1923, spending many years in Boston where he gained a dazzling reputation for conducting first performances of difficult works by such composers as Ives, Varese, and Cowell. Since 1937 Slonimsky has developed an international reputation as a writer on music, especially of reference works such as Music Since 1900 and Baker's Biographical Dictionary of Musicians, of which he has edited the last three editions. His Thesaurus of Scales and Melodic Patterns, an exhaustive compendium of modernistic melodic patterns, unexpectedly became a bible to jazz and rock musicians, bringing him into contact with, among others, Frank Zappa. Perfect Pitch is an ironic commentary on a life in which failure to fulfil the highest expectations of an over-ambitious mother is never allowed to obscure a story of real achievement in music. It is a book crowded with anecdotes, personal letters, and vignettes of his remarkable family and of the many famous men and women he has encountered

Art · Art history · Compendium · Genius · Literature · Melody · Musical · Reputation · Sociology · Diverse Musicological Studies · Musicology and Musical Analysis · History

  • Listening to Zappa

    Jonathan W Bernard•Contemporary Music Review•2000

Citations per year0.04
Citation span2000 - 2000 (1)
Highly citedNo

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