Portrait of Elgar
Bibliographic Data
| ID | 8107524 |
|---|---|
| Authors | John Vinton (corresponding author), Michael L Kennedy (0000-0002-1593-9243), Michael Kennedy (0000-0003-1870-9045) |
| Year | 1969 |
| Volume | 25 |
| Issue | 3 |
| Pages | 480-480 |
| Publication date | 1969-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Notes (JOURNAL) |
| Journal identifiers | ISSN: 0027-4380 • E-ISSN: 1534-150X |
| Publisher | Music Library Association (PUBLISHER • US) |
| DOI | 10.2307/895345 |
| OpenAlex | W1974110196 |
| Language | EN |
| Citations received | 4 |
The public image of Elgar as patriotic country squire was established in his lifetime, but, in reality, it concealed a highly complex, sometimes baffling, private individual. Although acquaintances found him a man of endless curiosity and good humour, his family and close friends knew him to be rather different: a prey to despair, neurotically mistrustful both of himself and of those who loved him and so damaged by the condescension and neglect of his early years that emotionally he never recovered. This is a reissue of the third edition of Michael Kenedy's portrait of this complexman - not an analytical survey of the music but a faithful likeness of the composer, recognizable, but at the same time a thoroughly individual interpretation of the subject
Art · Art history · Genealogy · Portrait · Diverse Musicological Studies · History
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,16 |
| Citation span | 2001 - 2018 (18) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |