A Darwinian Love Story
Max Mon Amour and the Zoocentric Perspective in Film
Bibliographic Data
| ID | 8108530 |
|---|---|
| Authors | Barbara Creed (The University of Melbourne, corresponding author) |
| Year | 2006 |
| Volume | 20 |
| Issue | 1 |
| Pages | 45-60 |
| Publication date | 2006-02-28 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Continuum (JOURNAL) |
| Journal identifiers | ISSN: 1030-4312 • E-ISSN: 1469-3666 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10304310500475756 |
| OpenAlex | W2067424830 |
| Language | EN |
| Citations received | 2 |
| References cited | 10 |
The cinema, throughout its evolution from the silent period to the present, has exhibited a fascination with the revolutionary ideas of Charles Darwin (1809–1882). Darwin's findings dislodged the h
Art · Darwinism · Epistemology · Perspective (graphical · Psychoanalysis · Sociology · Visual arts · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Philosophy · Psychology · Science Education and Perceptions
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2010 - 2016 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |