Introduction

Intersections of culture and religion in African-American communities

Bibliographic Data

ID8115777
AuthorsAnthony B Pinn (Rice University), Monica R Miller (Chicago Theological Seminary, corresponding author)
Year2009
Volume10
Issue1
Pages1-9
Publication date2009-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCulture and Religion (JOURNAL)
Journal identifiersISSN: 1475-5610 • E-ISSN: 1475-5629
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14755610902786270
OpenAlexW2071118557
LanguageEN
Citations received7
References cited2

As a child of the blues, hip hop culture and rap music bring together the ‘best of both worlds’ of culture and religion respectively. The interrogation of cultural production by African-American scholars across fields is not a new phenomenon, however, a rigorous examination of the religious and theological contours of hip hop culture, such as rap music, are slowly beginning to take shape. In this Introduction, we contextualize one such attempt as expressed in this journal you hold, to think religion and hip hop together in new and exciting ways. Here, we give thought to the multifaceted ways in which the changing syncretic cultural cartography of hip hop in general and rap music specifically push and force a re-thinking of religious sensibilities and the quest for life meaning. More than that, we take the position that not only does the genius of hip hop culture and rap music call and yearn for a more complicated terrain of the religious, but likewise, offers a rich opportunity to rethink the rugged terrain of the cultural. Here, we not only interrogate rap music from the corners of religion, more than that, we open ourselves up to be confronted and gripped by the rugged terrain of African American cultural production

Aesthetics · Art · Art history · Blues · Genius · Literature · Sociology · Anthropological Studies and Insights · Cross-Cultural and Social Analysis · History · Music History and Culture

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