That Was Us
Contemporary Irish Theatre and Performance
Bibliographic Data
| ID | 8119705 |
|---|---|
| Authors | Karen Quigley (0000-0001-5330-3273, corresponding author) |
| Year | 2014 |
| Volume | 24 |
| Issue | 2 |
| Pages | 280-282 |
| Publication date | 2014-04-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Theatre Review (JOURNAL) |
| Journal identifiers | ISSN: 1048-6801 • E-ISSN: 1477-2264 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10486801.2014.890314 |
| OpenAlex | W2045944657 |
| Language | EN |
| Citations received | 7 |
Notes1. Interactions: Dublin Theatre Festival 1957–2007, ed. by Nicholas Grene and Patrick Lonergan with Lilan Chambers (Dublin: Carysfort Press, 2008
Art · Art history · Irish · Linguistics · Performance art · Visual arts · Irish and British Studies · Theatre and Performance Studies · History · Philosophy
‘Walking the boundaries’
Walks of Experience
Theatre That Speaks to Its Moment
Often Doublin' in the Green
Poltergeist, problem or possibility? Curriculum drama in the Republic of Ireland
Reframing the politics of performance at 14 Henrietta Street
Historical duty, palimpsestic time and migration in the Decade of Centenaries
| Citations per year | 0.64 |
|---|---|
| Citation span | 2015 - 2023 (9) |
| Highly cited | No |