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Singing ‘with culture

Popular musicians and affective labour in state-socialist Albania

Bibliographic Data

ID8124018
AuthorsNicholas Tochka (0000-0002-0964-0827, University of Melbourne, Melbourne, Australia, corresponding author)
Year2017
Volume26
Issue3
Pages289-306
Publication date2017-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBritish Journal of Ethnomusicology (JOURNAL)
Journal identifiersISSN: 0968-1221 • E-ISSN: 1741-1920
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17411912.2017.1407950
OpenAlexW2772228362
LanguageEN
Citations received7
References cited17

This article examines how composers, bureaucrats and musicians themselves disciplined the singer’s body in state-socialist Albania. Drawing together film analysis and interviews with socialist-era musicians, I analyse the constraints imposed on performing bodies in order to explore the political consequences of singers’ affective labour during the 1970s and 1980s. My analysis reveals how the most popular stars crafted performing personae, as ‘cultured’ citizens, and conceptualised the social significance of their affective labour, as part of a broader political project aiming to uplift listeners. In negotiating these dual aims, singers simultaneously created musically and personally meaningful lives while participating in state-socialist projects to remake society. In describing the political consequences of affective labour in this particular non-capitalist context, the article contributes to recent studies of eastern bloc cultural economies, while also problematising the status of ‘affective labour’ as an analytical valence in ethnomusicology

Aesthetics · Art · Context (archaeology · Economics · Ethnomusicology · Musical · Negotiation · Political science · Politics · Singing · Social science · Sociology · State (computer science · Visual arts · Balkans: History, Politics, Society · Diverse Musicological Studies · Music History and Culture · History · Law

  • Urban Planning During Socialism

    Open Access•Jasna Mariotti, Kadri Leetmaa•Urban Planning During Socialism•2023

  • Voices and Melodies of Artistic Precarity

    Open Access•Mauricio Toval-Gajardo, Álvaro Soto Roy et al.•Human Arenas•2025

  • Music, Phones and Bank Loans

    Open Access•Shannon Garland•Journal of Extreme Anthropology•2024

  • We Provide a Place to Not Be Okay”

    Ryan J Lambe•American Music•2021

  • Torture to Their Ears, Music to Ours

    Open Access•Sashenka Lleshaj•Perspectives on Politics•2024

  • Musical feelings and affective politics

    Anaar Desai-Stephens, Nicole Reisnour•Renaissance and Modern Studies•2020

  • Musicscaping Tirana

    Uğur Aslan•Sound Studies•2025

  • Music (as) Labour

    A Hofman•British Journal of Ethnomusicology•2015

  • Making New Music in Cold War Poland

    Lisa Jakelski•Making new music in Cold War Poland•2016

  • Staging Socialist Femininity

    A Hofman•Staging socialist femininity•2011

  • The affective turn in ethnomusicology

    Open Access•Ana Hofman•Muzikologija•2015

  • Voicing freedom, sounding dissent

    Open Access•Nicholas Tochka•European Journal of Cultural…•2013

  • Fieldwork Dilemmas

    Natalia Shostak, Hermine G De Soto et al.•The Slavic and East European…•2002

  • From the communist point of view

    Open Access•Enika Abazi, A Doja•Communist and Post-Communist…•2016

  • MacedonianČalgija

    Sonia Tamar Seeman•British Journal of Ethnomusicology•2012

  • The Problem with Work

    Kathi Weeks•Problem with Work•2011

  • Engendering Song. Singing and Subjectivity at Prespa Albanian Weddings

    Bernard Lortat-Jacob, Jane C Sugarman•Cahiers de musiques traditionnelles•1998

  • From source to commodity

    Open Access•Ljerka Vidić Rasmussen•Popular Music•1995

  • The Hard Work of Screaming

    Kelley Tatro•Ethnomusicology•2014

  • Theorizing socialism

    Open Access•Katherine Verdery•American Ethnologist•1991

Unique citing works7
Citations per year1,17
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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