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Protest, intervene, remove! Media representations and public reception of the international statue wars in Czechia

Bibliographic Data

ID8134455
AuthorsAndrea Průchová Hrůzová (0000-0002-2013-2436, Czech Academy of Sciences, corresponding author)
Year2026
Publication date2026-01-12
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMemory Studies (JOURNAL)
Journal identifiersISSN: 1750-6980 • E-ISSN: 1750-6999
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/17506980251409288
OpenAlexW7123346081
LanguageEN
References cited31

This article provides a case study examining the media coverage and public reception of the phenomenon of reparative statue wars, which re-emerged after the death of George Floyd through the Black Lives Matter movement. It investigates the mainstream Czech online daily iDnes.cz, and the articles mainly focused on de-commemorative actions in the United Kingdom and the Americas. First, it reads the texts to trace the framing of reparative histories, decolonization, and social injustice. Second, it scrutinizes photographs, revealing five basic visual frames that establish different dynamics between a viewer, depicted event, and monument. Finally, it analyzes discussions taking place in the comment section. It detects prominent historical analogies that readers draw between the current de-commemorative movement and the Czech(oslovak) modern past of the nineteenth and twentieth centuries. These comments are conceptualized as lay theories of history through which the national discourse of the so-called “repetitive history” meets and opposes the new transnational mnemonic regime of decoloniality

Czech · Framing (construction · Mainstream · Media event · Metaphor · Mnemonic · Phenomenon · Statue · TRACE (psycholinguistics) · Visual culture · Central European national history · Decolonial Thought and Epistemologies · Memory, Trauma, and Commemoration

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Citation velocityhistorical
Highly citedNo

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