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Epistemological Ambiguity in The Earlier Poetry of Robert Graves

Bibliographic Data

ID8137178
AuthorsAlan Barker (corresponding author)
Year1983
Volume59
Issue1
Pages66-88
Publication date1983-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAUMLA-Journal of the Australasian Universities Language and Literature Association (JOURNAL)
Journal identifiersISSN: 0001-2793 • E-ISSN: 2051-2864
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1179/aulla.1983.59.1.005
OpenAlexW1994428215
LanguageEN

Whenever a poem reads memorably, this is almost always because a living Muse has directed its need and, however individual the poet's choice of words and rhythms. impressed her secret image on them. If such an image is unapparent. I question the poem's validity, which prevents me from ever feeling the least authorial pride. Who can regard himself as the originator of lines which move readers no less than he was himself moved to write them? Granted, numerous poems of simple male parentage (the Apollonian sort) are widely honoured; but they do not concern me.3

Ambiguity · Art · Epistemology · Linguistics · Literature · Poetry · Autobiographical and Biographical Writing · Historical and Literary Analyses · Literature: history, themes, analysis · Philosophy

Citation velocityhistorical
Highly citedNo

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