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The Buddha’s Busted Finger

Craft, Touch, and Cosmology in Theravada Buddhism

Bibliographic Data

ID8201784
AuthorsAnthony Lovenheim Irwin (corresponding author)
Year2022
Volume90
Issue1
Pages52-85
Publication date2022-05-20
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the American Academy of Religion (JOURNAL)
Journal identifiersISSN: 0002-7189 • E-ISSN: 1477-4585
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jaarel/lfac003
OpenAlexW4206624347
LanguageEN
Citations received3
References cited34

This article is about the bodily connection between Theravada Buddhist craftspeople, monks, and laypeople to the objects they create and touch. Textual and contemporary accounts of Buddhist material production emphasize the importance of physical touch in the formal aspects, embodied efficacy, and social salience of Buddhist objects, including Buddha images, brick stupas, and shrines. Here, I explore how the hands of skilled and unskilled Buddhist craftspeople manipulate, form, and connect divine, material, and social expressions of Theravada Buddhism. The handiwork of Buddhists gestures towards the ethical possibilities and cosmological significance of religious crafting, installation, and construction. Drawing on a variety of Theravada Buddhist sources, this article introduces “religious building” as a usable analytic category that can reveal why religion itself is often organized around, and generated through, acts of material and spatial production

Aesthetics · Archaeology · Art · Buddhism · Craft · Embodied cognition · Epistemology · Gautama Buddha · Gesture · Linguistics · Multimedia · Sociology · USable · Visual arts · Anthropological Studies and Insights · Computer Science · Eurasian Exchange Networks · History · Islamic Studies and History · Philosophy

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Unique citing works3
Citations per year3
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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