Un malinconico nella commedia gottschediana. «Der Hypochondrist» di Theodor Johann Quistorp
[A melancholic in Gottsched’s anthology of comedy. Theodor Johann Quistorp’s «The hypochondriac»]
Bibliographic Data
| ID | 8245447 |
|---|---|
| Authors | Maurizio Pirro (0000-0003-4587-7570) |
| Year | 2022 |
| Volume | 29 |
| Pages | 83-107 |
| Publication date | 2022-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Studia theodisca (JOURNAL) |
| Journal identifiers | ISSN: 1593-2478 • E-ISSN: 2385-2917 |
| DOI | 10.54103/1593-2478/18975 |
| OpenAlex | W4381896052 |
| Language | EN |
Theodor Johann Quistorp was among the regular contributors to Gottsched’s Deutsche Schaubühne (1741-1745). In addition to his published works as a playwright, he tried his hand at writing non-fiction, taking a stand against Baumgarten’s theories, and engaging in a heated debate with Georg Friedrich Meier. Quistorp’s comedies are actually based on a conception of the comic effect that is far removed from Gottschedian rationalism. In his Hypochondrist (1745), melancholy and depression are not represented as evil and morally deviant, but as a physiological expression of human nature, which is to be linked to all other aspects of individual identity
Aesthetics · Art · Art history · Comics · Expression (computer science · German · German Literature · Identity (music · Linguistics · Literature · Psychoanalysis · German Literature and Culture Studies · Historical, Literary, and Cultural Studies · Psychology · Philosophy
| Highly cited | No |
|---|